by Jonathan D. Spence ‧ RELEASE DATE: June 8, 1992
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More erudite history and eminently readable scholarship from Yale Sinologist Spence (The Search for Modern China, 1990, etc.). Many of these essays and reviews, previously published in both scholarly and nonscholarly journals, were inspired by Western inquirers of yore like 16th-century Jesuit missionary Matteo Ricci and novelist André Malraux, both subjects of essays in an opening section entitled "Crossing the Cultures." In "Looking East: The Long View," Spence concedes that Western confusion about China began with accounts by Ricci and other missionaries, but, still, he relishes these reports' delicate balance and appreciation for culture. A second, scholarly and vigorous group of essays, "The Confucian Impulse," surveys a range of topics from the Mings to the Manchus. Outstanding is Spence's recovery of the Ming painter Tao-chi, member of a brilliant artistic circle that Spence brings to life with remarkable color. A third section consists of a hodgepodge of essays on topics from food to opium. While exhaustively detailing Chinese culinary pleasures, Spence notes that, through much of Chinese history, "it was the danger of famine that gave such urgency to agriculture and such joy to eating." He describes the crucial economic function of opium in late-19th-century China and measures political swings in the country according to its use. Other highlights include a penetrating analysis of Chinese director Bai Hua's controversial 1980 film, Bitter Love, and an admiring essay on eminent Harvard Sinologist John Fairbank. Spence conveys vast knowledge with a style and grace unique in academic writing. A pure pleasure cruise through the Middle Kingdom. (Photos not seen.)
NonePub Date: June 8, 1992
ISBN: 0-393-03355-4
Page Count: 384
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
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IN THE NEWS
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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