Next book

CHINESE ROUNDABOUT

ESSAYS IN HISTORY AND CULTURE

None

None

More erudite history and eminently readable scholarship from Yale Sinologist Spence (The Search for Modern China, 1990, etc.). Many of these essays and reviews, previously published in both scholarly and nonscholarly journals, were inspired by Western inquirers of yore like 16th-century Jesuit missionary Matteo Ricci and novelist André Malraux, both subjects of essays in an opening section entitled "Crossing the Cultures." In "Looking East: The Long View," Spence concedes that Western confusion about China began with accounts by Ricci and other missionaries, but, still, he relishes these reports' delicate balance and appreciation for culture. A second, scholarly and vigorous group of essays, "The Confucian Impulse," surveys a range of topics from the Mings to the Manchus. Outstanding is Spence's recovery of the Ming painter Tao-chi, member of a brilliant artistic circle that Spence brings to life with remarkable color. A third section consists of a hodgepodge of essays on topics from food to opium. While exhaustively detailing Chinese culinary pleasures, Spence notes that, through much of Chinese history, "it was the danger of famine that gave such urgency to agriculture and such joy to eating." He describes the crucial economic function of opium in late-19th-century China and measures political swings in the country according to its use. Other highlights include a penetrating analysis of Chinese director Bai Hua's controversial 1980 film, Bitter Love, and an admiring essay on eminent Harvard Sinologist John Fairbank. Spence conveys vast knowledge with a style and grace unique in academic writing. A pure pleasure cruise through the Middle Kingdom. (Photos not seen.)

None

Pub Date: June 8, 1992

ISBN: 0-393-03355-4

Page Count: 384

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview