by Jonathan Dee ‧ RELEASE DATE: Sept. 13, 2022
Nothing sweet on Sugar Street: It’s creeps all the way down. An unsettling, propulsive, sometimes acidly funny book.
A mystery man on the run alights in a grim and unwelcoming new world.
“$168,048. That's a lot, though it doesn't really matter how much it is once you've accepted that there will never be any more of it, only less.” Exactly how much cash he has left in the manila envelope under his car seat, later under his mattress, is one of the only things we ever know for sure about the unnamed White male narrator of Dee's eighth novel, and it's an element of the furious tension that drives the book to its brutal conclusion. The narrator tosses out a number of provisional backstories—he has a “nifty law degree,” he’s some kind of terrorist, he had a daughter with a terminal illness—which don't seem to necessarily be true, though every once in a while he does make a claim on the reader’s credulity: “I think it’s important to note that I didn’t ruin anybody. I just want that on the record, even though, of course, there must be no record.” Having cut every connection to his past life, he goes to ground in an unnamed decaying city, renting a room from an unfriendly tattooed woman named Autumn. She tells him there's a middle school nearby—because, she explains, he looks like a sex offender, so maybe he should rent somewhere else. His relationship with her becomes the center of his weird new life, but it, and every other interaction he has with the people he meets, seethes with mistrust and violence. He is acutely aware of the diseases plaguing his country, and his narration bristles with minimanifestoes. “Democracy, capitalism, liberalism: all in the lurid end-stages of their own failure, yet we won’t even try to imagine anything different, any other principle around which life might be organized: we would sooner choke each other to death, which is basically what we’re doing.” “If white people had a tombstone, it would read, ‘They Stopped at Nothing.’ ” This pronouncement will be borne out by his own story.
Nothing sweet on Sugar Street: It’s creeps all the way down. An unsettling, propulsive, sometimes acidly funny book.Pub Date: Sept. 13, 2022
ISBN: 978-0-8021-6000-3
Page Count: 224
Publisher: Grove
Review Posted Online: Oct. 3, 2022
Kirkus Reviews Issue: July 1, 2022
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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