With his sixth novel, Pulitzer finalist Dee has written a page turner without sacrificing a smidgen of psychological...

A THOUSAND PARDONS

A marriage flames out. Gleefully, thrillingly, Dee (The Privileges, 2010, etc.) tracks its aftermath, focusing primarily on the evolution of the ex-wife. 

That’s Helen Armstead, struggling to save a dying marriage. Husband Ben, partner in a New York City law firm, has been so deeply depressed he’s ignored not just her and their upstate home, but their 12-year-old daughter, Sara (Chinese, adopted). The end comes fast. Ben, discovered in a hotel room with his intern, is beaten bloody by her boyfriend, then discovered again in his car, drunk and unconscious. Fired, and facing rape and DWI charges, he goes into rehab. Divorce filed but their assets frozen, Helen, a stay-at-home mom, must hustle to find work. She lucks out when she’s hired by a down-at-the-heels PR company in the city. Her first assignment, persuading the owner of a Chinese restaurant chain to publish an apology to his striking workers, is a huge success. Even the boss’ sudden death doesn’t slow Helen down. She persuades two more male clients, drowning in bad publicity, to go the apology route. Her crisis management skills attract the attention of a huge PR company, which recruits her. This is not some empowerment fairy tale; Dee keeps the action grounded and credible. In an already dramatic story, the most sizzling drama comes after Helen accidentally meets an old childhood classmate at a movie premiere. Hamilton Barth is a Hollywood superstar, a deeply troubled man with a history of benders and blackouts; a greatly magnified version of Ben. When Helen subsequently gets a rescue-me call from Hamilton in a Vermont motel, the already brisk pace becomes breakneck. There’s a young woman missing, bloody sheets and an amnesiac Hamilton willing to believe the worst of himself. It will take all Helen’s crisis management skills to resolve this one.

With his sixth novel, Pulitzer finalist Dee has written a page turner without sacrificing a smidgen of psychological insight. What a triumph.

Pub Date: March 12, 2013

ISBN: 978-0-8129-9321-9

Page Count: 224

Publisher: Random House

Review Posted Online: Dec. 16, 2012

Kirkus Reviews Issue: Jan. 1, 2013

Did you like this book?

No Comments Yet

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

Did you like this book?

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

more