A fine debut that looks at the complexities of cultural identity with humor, savvy, and a rich sense of place.
A collection of linked stories focused on one family’s tempest-tossed journeys in Jamaica and Florida.
Escoffery’s sharp and inventive debut largely focuses on Trelawny, the bookish son of Jamaican parents whose place in the world is complex both physically (he’s homeless for a time) and ethnically. In Jamaica, his light-skinned, mixed-race parents feel superior to those with darker skin; growing up in Miami, he’s mistaken as Dominican; in college in the Midwest, he becomes “unquestionably Black.” In the finely tuned opening story, “In Flux,” Trelawny’s efforts to nail down an identity frustrates both himself and others; he’s at the center of a question he has a hard time answering and few others want to face. That uncertainty follows him throughout the book as he squabbles with his father and older brother for their esteem. He’s also forced to take peculiar and/or degrading jobs to make ends meet: He answers Craigslist ads for a woman who wants a black eye and a couple who want a stereotypically Black man to watch them having sex. Not that the rest of his family has it much better—his older brother, Delano, is a struggling musician working on the side in a shady landscape business, and the much-fought-for family home in Miami is sinking through its foundation. (Delano’s thoughts capture the mood of futility: “You try to make a situation better, only to make it worse. Better to do nothing.”) But if Escoffery’s characters are ambivalent, his writing is clever, commanding, and flexible—he’s comfortable in first and second person, standard English and Jamaican patois, Miami ethnic enclaves and white-bread high rises. And he writes thoughtfully about how the exterior forces that have knocked Trelawny’s family sideways—Hurricane Andrew, poverty, racism—intersect with and stoke interior fears and bouts of self-loathing.
A fine debut that looks at the complexities of cultural identity with humor, savvy, and a rich sense of place.Pub Date: Sept. 6, 2022
ISBN: 978-0-374-60598-8
Page Count: 272
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
