A fine debut collection from a gifted chronicler of contemporary queer discontents.
The search for security, and the longing to break free from it, roils the lives of young gay men in these wry, hopeful stories.
In his first collection, Harper gives us a gallery of 20-somethings, many with older lovers or husbands, trying to reconcile inchoate ambitions with prosaic realities: a ne’er-do-well crashes at his brother’s house and descends into a feud with his scheming fiancee; a callow student undergoes an extreme body-piercing ritual as a seemingly supportive entree into a domestic household; a pastry chef reluctantly goes house hunting with his older lover but is drawn to the disheveled artist next door; an uncouth renter disrupts a couple’s staid lives; a grad student ponders the hidden exploitation lurking in his estranged father’s conservative church; a group of friends spends a weekend reliving their high school fantasy-gaming rituals as their leader slips into a breakdown; an older man’s offer of help to a young strip-club dancer turns rather dark; a young novelist becomes obsessed with the corpse of a woman that washes ashore in the fishing village where he is summering. Harper’s protagonists are sensitive, talented (but not too talented) youths with dreams of creative lives that they find difficult to square with their circumstances and relationships. Far from the glitter of New York and San Francisco, they are dependent on stable, boring partners, whom they often resent, and are immured in the sterile strip malls and bland apartment complexes of a downscale suburbia that has few beguiling, treacherous oases of bohemian grunge. Harper draws this landscape with a superb eye for detail and feel for atmosphere, writing with a limpid, pitch-perfect prose, suffused with a mordant humor and flashes of wistful lyricism. He perfectly captures the fecklessness of a certain age and mindset while investing it with real psychological depth and emotional resonance—and even with an air of mystery and possibility that belies the seeming banality of his characters’ lives.
A fine debut collection from a gifted chronicler of contemporary queer discontents.Pub Date: March 15, 2015
ISBN: 978-1590212967
Page Count: 164
Publisher: Lethe Press
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: June 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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