Next book

YOU DON'T BELONG HERE

A claustrophobic novel about destructive friends and destructive urges.

In Harper’s debut literary novel, a writer’s trip to an artsy town becomes an interminable nightmare.

For the past week, aspiring writer Morris Hines has been staying (and drinking) at the Manderlay Colony, an artists residence where he’d hoped to make some headway on his fantasy novel. Now, on his last night in town before returning home to Washington, D.C., and his fiancee, Yasmin, Morris has wandered into the Public House, a dive bar with no signage, patronized mostly by locals. There, he runs into Henry, an old friend from college whom Morris has not seen for a decade. Morris’ history with Henry is complex, and he isn’t thrilled to run into him—especially given how run-down Henry looks, with a puffy face and burns on his hands. A townwide electrical blackout provides Morris an opportunity to escape the bar before the past can be dredged up, but he misses his flight the next morning and can’t get a new one for two more days. This unintended extension of his off-season stay in the small town promises additional drunken nights and additional run-ins with Henry and his hard-living crowd. Will Morris be able to put his old ghosts to rest, or will a series of bad decisions leave him as broken as Henry? The author’s prose is breezy and straightforward, as when the bisexual Morris describes his days rooming with the gay Henry: “Sometimes they had sex, but most times, they didn’t. It became a little transaction between them, a ‘help me out’ moment when there was an itch that needed scratching. They rarely discussed it except to instruct in what they liked. After all, there was no point in stretching it out longer than it needed to be.” The mood is all over the place—sometimes menacing, sometimes comic, sometimes melodramatic—and the plot is not entirely convincing. Even so, Harper manages to capture the dislocation of a certain type of drinking binge, wherein the present starts to resemble a fun-house mirror of the past.

A claustrophobic novel about destructive friends and destructive urges.

Pub Date: June 1, 2023

ISBN: 9781590215852

Page Count: 251

Publisher: Lethe Press

Review Posted Online: March 31, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 224


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 224


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

Close Quickview