The story would have benefited from more insight into Caravaggio the artist—there's not quite enough here to help the...
by Jonathan Harr ‧ RELEASE DATE: Nov. 8, 2005
Anyone who's ever scoured a yard sale for that undiscovered antique will savor this engrossing story of a young art student on the trail of a missing 17th-century masterpiece by the Italian artist Michelangelo Merisi da Caravaggio (1571–1610).
Part detective story, part treasure hunt, this book takes us from dusty basement archives to the ornate galleries of Europe's finest art museums. The prize is a missing Caravaggio masterpiece called The Taking of Christ, depicting Judas' betrayal in the Garden of Gethsemane. Many copies have surfaced over the centuries, but the original was presumed lost, possibly destroyed. The story follows a young Italian art student, Francesca Cappelletti, who uncovers unknown documents about the painting while researching the Italian Baroque artist. Poring over centuries-old archives in the basement of a crumbling Italian seaside palazzo, she learns that the The Taking of Christ was mistakenly ascribed to a German artist when it was purchased by a wealthy Scotsman in the early 1800s. Francesca follows the trail to Edinburgh, where she hits a dead end until contacted by a bumptious Italian art restorer working in Dublin who may have stumbled upon the missing masterpiece. Harr provides a fascinating glimpse into the insular world of art history and art restoration. He also delivers an entertaining cast of characters, from the diligent Francesca to the aristocratic Caravaggio scholar Sir Denis Mahon to the combustible art historian Giampaolo Correale, who first sets Francesca on her Caravaggio quest.
The story would have benefited from more insight into Caravaggio the artist—there's not quite enough here to help the uninformed appreciate the beauty of his work. Still, art lovers and mystery fans should find plenty to ponder and enjoy. (Francine Prose’s brief, equally fine biography of the artist—Caravaggio—will be published in October.)Pub Date: Nov. 8, 2005
ISBN: 0-375-50801-5
Page Count: 272
Publisher: Random House
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2005
Categories: ART & PHOTOGRAPHY | CURRENT EVENTS & SOCIAL ISSUES
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BOOK REVIEW
by Ibram X. Kendi ‧ RELEASE DATE: Aug. 13, 2019
Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.
In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.
Not an easy read but an essential one.Pub Date: Aug. 13, 2019
ISBN: 978-0-525-50928-8
Page Count: 320
Publisher: One World/Random House
Review Posted Online: April 28, 2019
Kirkus Reviews Issue: May 15, 2019
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by Ibram X. Kendi ; illustrated by Ashley Lukashevsky
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SEEN & HEARD
SEEN & HEARD
by Ijeoma Oluo ‧ RELEASE DATE: Jan. 16, 2018
Straight talk to blacks and whites about the realities of racism.
In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”
A clear and candid contribution to an essential conversation.Pub Date: Jan. 16, 2018
ISBN: 978-1-58005-677-9
Page Count: 256
Publisher: Seal Press
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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