A well-researched, engagingly written history of American popular culture, told from an unexpectedly revealing angle.
Shalom, partner.
Westerns are a staple of the Hollywood tradition. They represent ideals of American individuality, communal governance, and a reverence for the land. They also raise questions about the treatment of Native Americans, the inherent racism and inequality of American institutions, and the pervasive violence that governs our relationships. Jewish men and women were, from the outset, at the heart of Hollywood. Jewish producers, writers, and actors shaped our sense of heritage and landscape. This imaginative and often witty book illustrates the centrality of Jews and Jewish themes in the Western. Friedmann, the director of the Jewish Museum of the American West, explores a range of “recurring Jewish tropes and motifs” in film and television Westerns: masculine identity, personality types, occupational niches, survival strategies, intermarriage, racism, and marginalization. His book presents a series of close readings of the Western canon—Cimmaron, Shane, The Searchers, High Noon, Deadwood—to see how Jewish figures (explicit and implicit) serve as foils for American male identity. Best is the treatment of the Jewish merchant, from Levy in Cimmaron to Sol Star in Deadwood. Most provocative is its celebration of Mel Brooks as the anarchic critic of American ideals in Blazing Saddles. The book also examines how Jewish émigré composers created the Hollywood film sound and how the arching, aching strains of Max Steiner, Aaron Copland, and Dimitri Tiomkin gave voice to a longing to fit in. For Steven Spielberg, the Western shaped the heroic and artistic ambitions of the outsider, as in the animated adventure An American Tail (with its mouse, Fievel Mousekewitz). In the end, the Western offers tales of “personal tragedies papered over by the American dream mythology”—a statement that says much about the lives of all of us, regardless of religion or descent.
A well-researched, engagingly written history of American popular culture, told from an unexpectedly revealing angle.Pub Date: June 3, 2025
ISBN: 9780299352103
Page Count: 264
Publisher: Univ. of Wisconsin
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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