Fans of the original Lovecraft will have their rewards—Cthulu (spoiler alert) makes an appearance—but this series debut from...

CARTER & LOVECRAFT

A former cop delves into the supernatural when he’s teamed with one of H.P. Lovecraft’s descendants to solve a crime.

Detective Dan Carter’s biggest case is his last: his partner blows his own brains out after they’ve apprehended a serial killer. Unnerved, Dan leaves the force and turns private eye. His eminently predictable caseload is dominated by assignments to follow cheating husbands—until a lawyer turns up and tells Carter that someone named Alfred Hill has left him a bequest that turns out to be a bookstore in Providence. Carter finds this strange, since he's never heard of Alfred Hill. The bookstore is staffed by Hill's niece, Emily Lovecraft, whose other ancestors include the master of supernatural horror. Emily, who hasn’t seen her uncle Alfred for seven years, certainly hasn’t anticipated an ouster from her place as owner-in-absentia. No worries: Dan takes a shine to Emily and promises to share bookshop responsibilities with her, though he soon gets wrapped up in a local case of his own. A college professor seems to have drowned in his car without a drop of water in sight. Stumped, local police are ready to write it off as an idiopathic asphyxiation. But Dan can’t stop thinking about it, especially because the last number the professor’s phone called was his own. He’ll have to open his mind to a world beyond what’s in front of him if he hopes to solve the professor’s murder.

Fans of the original Lovecraft will have their rewards—Cthulu (spoiler alert) makes an appearance—but this series debut from Howard (Nightclubbing, 2015, etc.) shines brightest when keeping to his characters’ easy banter and creepy deaths.

Pub Date: Oct. 20, 2015

ISBN: 978-1-250-06089-1

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: July 30, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and...

DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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