A brilliantly imagined riff on the classic detective tale: the fifth high-energy novel in five years from the rapidly maturing prodigy whose bizarre black-comic fiction includes, most recently, Girl in Landscape (1998). Lethem’s delirious yarn about crime, pursuit, and punishment, is narrated in a unique voice by its embattled protagonist, Brooklynite (and orphan) Lionel Essrog, a.k.a. “Freakshow.” Lionel’s moniker denotes the Tourette’s syndrome that twists his speech into weird aslant approximations (his own name, for example, is apt to come out “Larval Pushbug” or “Unreliable Chessgrub”) and induces a tendency to compulsive behavior (“reaching, tapping, grabbing and kissing urges”) that makes him useful putty in the hands of Frank Minna, an enterprising hood who recruits teenagers (like Lionel) from St. Vincent’s Home for Boys, to move stolen goods and otherwise function as apprentice-criminal “Minna Men.” The daft plot—which disappears for a while somewhere around the middle of the novel—concerns Minna’s murder and Lionel’s crazily courageous search for the killer, an odyssey that brings him into increasingly dangerous contact with two elderly Italian men (“The Clients”) who have previously employed the Minna Men and now pointedly advise Lionel to abandon his quest; Frank’s not-quite-bereaved widow Julia (a tough-talking dame who seems to have dropped in from a Raymond Chandler novel) at the Zendo, a dilapidated commune where meditation and other Buddhist techniques are taught; a menacing “Polish giant”; and, on Maine’s Muscongus Island, a lobster pound and Japanese restaurant that front for a sinister Oriental conglomerate. The resulting complications are hilariously enhanced by Lionel’s “verbal Tourette’s flowering”—a barrage of sheer rhetorical invention that has tour de force written all over it; it’s an amazing stunt, and, just when you think the well is running dry, Lethem keeps on topping himself. Another terrific entertainment from Lethem, one of contemporary fiction’s most inspired risk-takers. Don’t miss this one.
Pub Date: Oct. 1, 1999
ISBN: 0-385-49183-2
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
BOOK TO SCREEN
Though the pace lags at times, the characters are richly detailed and true to life, and the ending is sure to please fans.
A Seattle homicide detective is thrust back into a painfully personal case when the remains of her 20-years-vanished younger sister are uncovered in a shallow grave near Cedar Grove, the Washington mountain town where they grew up.
Forty-two-year-old Tracy Crosswhite has long felt responsible for what happened the night her goofy, fun-loving sister, Sarah, disappeared. Former lawyer Dugoni (The Conviction, 2012, etc.) retells the events of that evening in flashback, recounting how, upon leaving a shooting championship, Tracy asked Sarah to drive her truck back to Cedar Grove during a storm so Tracy and her boyfriend could make it to their romantic dinner reservation. The next morning, the empty truck was discovered on a county road with Sarah nowhere to be found, and her disappearance turned both the Crosswhite family and the town itself upside down. As Tracy's engagement fell apart and her parents lost themselves to grief, Tracy found herself doubting the legality of the trial that eventually put local oddball Edmund House in prison for Sarah's apparent murder. Now, with the fresh evidence of her sister's remains in her arsenal, Tracy seizes the opportunity to reinvestigate Sarah's fate—and the possible conspiracy she believes led a man to get convicted for a crime he didn't commit. The majority of the book centers on Tracy's quest to uncover the truth and secure a new trial for House. Though the book is well-written and its classic premise is sure to absorb legal-thriller fans, it grows a bit plodding at times, with too many pages dedicated to House's retrial.
Though the pace lags at times, the characters are richly detailed and true to life, and the ending is sure to please fans.Pub Date: Nov. 1, 2014
ISBN: 978-1-4778-2557-0
Page Count: 424
Publisher: Thomas & Mercer
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
The book ends on a cliffhanger worthy of Harry Potter, and Rowling’s readers will eagerly await the next installment.
J.K. Rowling continues her investigation of the dark side—this time giving us three gruesomely twisted suspects—in her latest pseudonymous mystery.
Robin Ellacott first showed up at hard-living private eye Cormoran Strike’s office as a temp, but by the end of their second big case (The Silkworm, 2014), she’d become indispensable as a fellow investigator. As this third book opens, she’s arriving at work off Charing Cross Road and accepts a package from a deliveryman, thinking it’s a shipment of favors for her upcoming wedding to Matthew, the jealous fiance who disapproves of her job. When she opens it, though, she’s horrified to find a woman’s leg. Someone seems to be using Robin to get to her boss, who's missing a leg himself, having lost it in an explosion in Afghanistan. Strike can think of four men, right off the top of his head, who would be capable of such a horrific thing: the stepfather he thinks killed his mother with a heroin overdose; a famous mobster; and two sick bastards he tangled with when he was an Army investigator. The police immediately go after the mobster, who, on second thought, Strike finds an unlikely culprit—so he and Robin set to work tracking down the other three. Rowling is, as always, an unflinching chronicler of evil, interspersing chapters told from the perspective of the carefully unnamed perpetrator—a serial killer with a penchant for keeping “souvenirs” from his victims’ bodies and an unhealthy obsession with Strike—as he follows Robin around London, waiting for her to get distracted just long enough for him to kill her, too. Robin and Strike’s relationship continues to be the best part of the series, though perhaps it’s too easy to dislike Matthew; readers will be cheering when Robin breaks off their engagement, but of course it won’t be that easy to get rid of him. The story has its longueurs, and if Galbraith weren’t actually Rowling, an editor might have told him to trim a bit, especially once Strike and Robin close in on their three suspects and start conducting repetitive stakeouts (and especially since the two who aren’t Strike’s former stepfather are hard to keep straight).
The book ends on a cliffhanger worthy of Harry Potter, and Rowling’s readers will eagerly await the next installment.Pub Date: Oct. 20, 2015
ISBN: 978-0-316-34993-2
Page Count: 512
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Oct. 17, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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