Pick a pumpkin (and a different book) instead.
A class trip to the pumpkin patch is enlivened by a contest to identify and acquire the biggest, smallest, prettiest, ugliest, and best all-around pumpkins.
Froggy’s excited. So excited he makes up a song and teaches it to his friends: “Pumpkins, pumpkins, / muffins and pie! / Pumpkin faces / lighting the sky!” (Readers can sing along for the three reiterations, but they’ll have to make up the tune.) But while children will clearly understand Froggy’s excitement, they will surely call out the unsafe and even mean behaviors exhibited by Froggy and his classmates. On the bus, many students bounce or kneel with no apparent reprimand. When they arrive, Froggy strikes off alone while his classmates await direction from their teacher back on the bus. Travis takes the pumpkin Max had wanted (but couldn’t lift) for his own (“Step aside!” he says, though Travis doesn’t seem too put out), and Froggy rudely leapfrogs over his classmates to get to his choice. Finally, after Froggy just barely reaches the bus with his large pumpkin, his classmates and even his teacher laugh at him and his embarrassment when he drops it and it smashes. (Froggy is as clumsy as ever in this 28th outing, and frankly, the shtick is getting old.) Froggy gets the award for ugliest pumpkin (though he’s shown with an intact one at the end), and all the kids sing on the way home. Remkiewicz’s watercolors reflect the text, bringing out and visually expanding on the lack of cooperation among the students.
Pick a pumpkin (and a different book) instead. (Picture book. 3-7)Pub Date: Aug. 27, 2019
ISBN: 978-1-9848-3633-5
Page Count: 32
Publisher: Viking
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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