by Jonathan London & illustrated by Jon Van Zyle ‧ RELEASE DATE: April 1, 2001
Spectacular paintings show the Ptarmigan, or Arctic grouse, through the seasons as he struggles to survive both the harsh climate and a host of predators. The tale begins with white and silvery scenes of the Arctic winter, with the snowshoe hare, lemming, and pure white Ptarmigan evading a lynx, snowy owl, weasel, and wolverine. In summer the Ptarmigan, wearing the dappled brown feathers that help the adult birds and chicks blend into the thick brush, faces still more predators. The artist provides double-paged layouts, using acrylic paints on Masonite board to capture the drama of the land and inhabitants, changing his palette for each season and animal. The snowy owl is white and silver against a silver-gray sky and pale, lemon moon. The red fox shimmers “flame colored in the low sun,” as he leaps amid the gold September leaves and slender, white tree trunks. In winter the ptarmigan huddles in the snow, blue and white against the iridescent northern lights. The Alaskan artist often includes thumbnail sketches inside the paintings to show details, a clutch of eggs, the feathered foot of the ptarmigan, a newly hatched chick. The lyrical text, with its recurring refrain, “Gone again ptarmigan,” conveys the author’s admiration for the hardy bird and builds excitement on each page. He concludes with additional facts. A solid nature title, with paintings that are a visual delight and a text that reads like poetry. (Nonfiction. 5-10)
Pub Date: April 1, 2001
ISBN: 0-7922-7561-6
Page Count: 32
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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by Karen English ; illustrated by Laura Freeman ‧ RELEASE DATE: Dec. 17, 2013
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by Ellen Potter ; illustrated by Felicita Sala ‧ RELEASE DATE: April 10, 2018
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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