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WHAT THE ANIMALS WERE WAITING FOR

Name: WHAT THE ANIMALS WERE WAITING FOR
Author: Jonathan London
ISBN: 0-439-33630-9

by Jonathan London & Paul Morin ‧ RELEASE DATE: April 1, 2001

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Morin returns to the East African setting of his powerful Orphan Boy (Tololwa M. Mollel, 1990), pairing large animal images constructed of paint and mixed media with small but clear color photos, to go with London’s (Loon Lake, above, etc.) strongly rhythmic text. Thin from the Months of Hunger, all of the wild creatures seem to be waiting for something. What?, asks a Maasai child. You shall see, his grandmother repeatedly responds. The suspense mounts, until broken at last as the rain arrives with a Boom of thunder and a flush of new grass signals an end to the dry season. Closely viewed from low angles, both animals and brightly clad Maasai seem strongly present within their shared natural world. Like Manya Stojic’s Rain (2000), which has a similar setting, or, from Down Under, Katrina Germein’s Big Rain Coming (2000), a sense of place is as vividly evoked as the universal relief when the saving rain falls at last. (Picture book. 6-8)

Pub Date: April 1, 2001

ISBN: 0-439-33630-9

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

Categories:

CHILDREN'S ANIMALS

- BOOK REVIEW
HERE COMES SHOPKEEPER HIPPO
by Jonathan London ; illustrated by Gilles Eduar

- BOOK REVIEW
HERE COMES TRUCK DRIVER HIPPO
by Jonathan London ; illustrated by Gilles Eduar

- BOOK REVIEW
FROGGY FOR PRESIDENT!
by Jonathan London ; illustrated by Frank Remkiewicz

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DIARY OF A SPIDER

by Doreen Cronin & illustrated by Harry Bliss ‧ RELEASE DATE: Aug. 1, 2005

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The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

Categories:

CHILDREN'S ANIMALS

- BOOK REVIEW
MAMA IN THE MOON
by Doreen Cronin ; illustrated by Brian Cronin

- BOOK REVIEW
LAWRENCE & SOPHIA
by Doreen Cronin ; illustrated by Brian Cronin

- BOOK REVIEW
CLICK, CLACK, GOOD NIGHT
by Doreen Cronin ; illustrated by Betsy Lewin

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WAITING IS NOT EASY!

From the Elephant & Piggie series

by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014

A lesson that never grows old, enacted with verve by two favorite friends

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Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)