WHEN THE FIREFLIES COME

In image-rich, sometimes impressionistic prose, the prolific London captures sights and sounds of summer afternoons, then celebrates a game of baseball played in the gloaming until called by darkness. Widener composes an idyllic suburban setting of spacious, rolling lawns, across which four young neighbors gambol as the skies gradually darken, and fireflies come out to mingle with the stars. Before going back inside their homes to dream baseball dreams, the children open the jars of fireflies they’ve collected: “They flit like sparks from a bonfire at a marshmallow roast. They dance and flash and bounce in the dark air, then disappear among the stars. Good night, fireflies!” Along with Charlotte Zolotow’s atmospheric Summer Night (1991) or kindred idylls like Julie Brinckloe’s Fireflies! (1985) or Eleanor Schick’s One Summer Night (1977), this evocation of “The tinkle of ice in tall iced-tea glasses. The thong-thong of backyard badminton,” will bring back those hazy crazy days for any readers wondering whether winter will ever end. (Picture book. 7-9)

Pub Date: May 1, 2003

ISBN: 0-525-45404-7

Page Count: 32

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2003

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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