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WHERE'S HOME?

Hoping for a fresh start, a homeless teenager and his father head for San Francisco in this first novel from an author of picture books (The Sugaring-Off Party, p. 228, etc.). San Francisco is crowded with street people and short on employment. Admitted temporarily to a family shelter, Aaron spends his days aimlessly as his father tracks down odd jobs, sells his blood a pint at a time, and saves enough to buy a van. Off they go to the fields, becoming migrant laborers for a seasonuntil a climactic forest fire brings near-tragedy and a change of luck: a job offer from the local fire chief. London casts his story in short, easy chapters, doesn't go for shock value (all that Maria, a young woman Aaron meets, will say about her private life is that she makes her rent ``dancing. In one of thoseyou knowadults-only joints.''), and ties up loose ends neatly. The focus here is as much on the hostility of police and some members of the public as on the dangers and discomforts of homelessness. Topped by the predictable happy ending, this slides down rather easily, but Aaron's desperate wish for a home may spark a response in younger readers. (Fiction. 10-13)

Pub Date: Aug. 1, 1995

ISBN: 0-670-86028-X

Page Count: 94

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1995

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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