by Jonathan London ‧ RELEASE DATE: Feb. 29, 2000
PLB 0-06-027918-4 In a tongue-tangling word-romp, London (Hip Cat, 1993, etc.) invites children to “jump right in, to swirl and spin” with the animal-attendees of his sock hop. This swinging party features cool cats, whirling rabbits, frolicking dogs, cavorting mice, and springing frogs, all grooving in half-tugged socks. London combines the deeply satisfying sounds of drums and keyboards with the upbeat be-bop of the sax to create a book that, when read out loud (at story hours or anytime), rivals the cadence of rhythm and blues. Working in confident, vivid colors, Cole sets out a playful visual introduction to musical instruments; the scenes are fairly bursting with joyful dancers who are so engaging that joining the hip-hop hoppin’ may be the only way to go. (Picture book. 3-6)
Pub Date: Feb. 29, 2000
ISBN: 0-06-027917-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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by Vanessa Cabban ‧ RELEASE DATE: Sept. 1, 1999
Bertie and his best friend—or more accurately stated, toy rabbit, named Small—are inseparable, embarking upon innumerable adventures together. Through the inventiveness of this small child, a simple box stuffed with a few toys becomes a variety of things: a house, a car, a perfect hiding spot. When further inspiration strikes, the box becomes a seagoing vessel for Bertie and Small. While using straightforward language, Cabban eloquently captures a toddler’s innate ability to transform nearly every environment through the imagination, and when the father joins Bertie’s playtime, readers gain a tender glimpse at a loving relationship. A cozy book, ideal for story time. (Picture book. 2-4)
Pub Date: Sept. 1, 1999
ISBN: 0-7636-0878-5
Page Count: 24
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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edited by Iona Opie ‧ RELEASE DATE: Oct. 1, 1999
This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)
Pub Date: Oct. 1, 1999
ISBN: 0-7636-0683-9
Page Count: 107
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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