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300 POUNDS OF ATTITUDE

THE FUNNIEST STORIES AND CRAZIEST CHARACTERS THE NFL HAS EVER SEEN

Good reading during commercial breaks on fall Sundays.

A collection of some of the zaniest off-the-field and behind-the-scenes stories out of the National Football League.

Increasingly, the world of professional sports finds itself toeing a thin line between athletic competition and Hollywood entertainment, with athletes often gaining as much recognition (and notoriety) for non-sports-related headlines and legal problems as on-field excellence. Sportswriter Rand (Fields of Honor, not reviewed) has assembled a hodgepodge of anecdotes, stories and incidents in an attempt to focus on the entertainment aspects of professional football, or the “No Fun League,” as it has been dubbed by pundits. Included are entries on recent prima donnas such as Terrell Owens, whose outrageously selfish and bizarre antics have dominated headlines the past few seasons, and rough-and-tumble players of the past, such as Dick Butkus and the Oakland Raiders of the 1970s. One of Rand’s primary goals is to show that even in a sport where helmets remove much of the individuality of the competitors, characters still abound, an endeavor in which he largely succeeds. There’s the ongoing trash-talk battle between mammoth defensive tackle Warren Sapp and ironman quarterback Brett Favre, the prank-filled career of Steve DeBerg, and quotes from former Tampa Bay coach John McKay, who, when asked about his team’s “execution” during a winless season, replied, “I’m in favor of it.” There’s also the story of the onetime media-savvy and coolly confident Joe Namath drunkenly slurring, “I wanna kiss you!,” to sideline reporter Suzy Kolber in 2003, and an appearance from the darling of wrestling entrepreneur Vince McMahon’s now-defunct XFL, Rod “He Hate Me” Smart. While these stories span the league’s history, many of them are well-known, making it mostly skimmable for football fans. As an overview, however, it does present a number of amusing and interesting tales.

Good reading during commercial breaks on fall Sundays.

Pub Date: Aug. 1, 2006

ISBN: 1-59228-995-9

Page Count: 283

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2006

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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