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THE WIDOWER'S NOTEBOOK

A MEMOIR

An expressive and poetic tribute to a wife and a marriage that died without warning.

When his wife dies, a man learns to live with the vacuum of space she’s left behind.

The death of Santlofer’s wife happened unexpectedly; one day she was healthy and in need of a knee operation, the next day, she was gone, leaving a hole in Santlofer’s life and numerous questions as to what really caused her death. In the brief first part, the author immediately plunges the reader into the moments before Joy’s death, expertly capturing the panic and dismay he felt as he watched the paramedics work on her and the horribly long hours at the hospital as he waited for answers. In Part 2, “After,” Santlofer explores the relationship he had with Joy, offering tender slices and snippets of their 40-plus years together, moments of togetherness that he remembers with fondness and times when they argued that he wishes he could revisit and redo. His words carry with them the solemnity of death, love, and longing and a tinge of anger as he wrestles with the facts and struggles to determine what went wrong on that fateful day. Santlofer offers a man’s perspective on emotional topics, of feeling inadequate on multiple levels, of wanting to have been a better husband and his desire to be a better father to their only daughter. He shares his coping methods through the months of mourning, the ways he filled the emptiness brought on by Joy’s absence. In “Widower,” Part 3, Santlofer considers what it means to be a single man again, the social expectations placed on him by well-meaning friends, and his push to see his wife’s unfinished writing reach publication. Also included are beautiful line drawings the author did that helped fill the hours as he slowly moved from one day to one month to one year and more past the death of Joy.

An expressive and poetic tribute to a wife and a marriage that died without warning.

Pub Date: July 10, 2018

ISBN: 978-0-14-313249-3

Page Count: 272

Publisher: Penguin

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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