An expressive and poetic tribute to a wife and a marriage that died without warning.

THE WIDOWER'S NOTEBOOK

A MEMOIR

When his wife dies, a man learns to live with the vacuum of space she’s left behind.

The death of Santlofer’s wife happened unexpectedly; one day she was healthy and in need of a knee operation, the next day, she was gone, leaving a hole in Santlofer’s life and numerous questions as to what really caused her death. In the brief first part, the author immediately plunges the reader into the moments before Joy’s death, expertly capturing the panic and dismay he felt as he watched the paramedics work on her and the horribly long hours at the hospital as he waited for answers. In Part 2, “After,” Santlofer explores the relationship he had with Joy, offering tender slices and snippets of their 40-plus years together, moments of togetherness that he remembers with fondness and times when they argued that he wishes he could revisit and redo. His words carry with them the solemnity of death, love, and longing and a tinge of anger as he wrestles with the facts and struggles to determine what went wrong on that fateful day. Santlofer offers a man’s perspective on emotional topics, of feeling inadequate on multiple levels, of wanting to have been a better husband and his desire to be a better father to their only daughter. He shares his coping methods through the months of mourning, the ways he filled the emptiness brought on by Joy’s absence. In “Widower,” Part 3, Santlofer considers what it means to be a single man again, the social expectations placed on him by well-meaning friends, and his push to see his wife’s unfinished writing reach publication. Also included are beautiful line drawings the author did that helped fill the hours as he slowly moved from one day to one month to one year and more past the death of Joy.

An expressive and poetic tribute to a wife and a marriage that died without warning.

Pub Date: July 10, 2018

ISBN: 978-0-14-313249-3

Page Count: 272

Publisher: Penguin

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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