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BEWARE THE SOCK MONKEYS!

A fresh and funny take on the kids-outthink-their-parents story.

Some kids know what—make that who—is responsible for an epidemic of missing socks; if only their dad would believe them!

A father is trying to get his three young kids out the door when he notices that each is wearing only one sock. When he asks them where the missing socks are, the kids have a ready answer: “The Sock Monkeys took them. Beware the SOCK MONKEYS!” Dad isn’t buying it: “There are no such things as Sock Monkeys!” He starts rooting through the house—under the bed, in the toilet, and so on—in hopes of tracking down the missing garments; all the while, the Sock Monkeys are in plain view. Dad is oblivious even to the point of mistaking three Sock Monkeys for his children. Is this story hinting that the Sock Monkeys are products of the kids’ wild fantasies and that imagination is a casualty of adulthood? Maybe, but young readers are more likely to interpret the goings-on as a call for parents to listen to their kids. Either way, the tale guarantees at least a few yuks, especially from a sight gag making use of that picture-book fail-safe: underpants. Fox’s cartoonish digital art centers on a white-presenting, middle-class suburban family (Mom makes a late appearance) infiltrated by duotone, stuffielike Sock Monkeys, who could pass for Teletubbies wearing jaunty sock hats.

A fresh and funny take on the kids-outthink-their-parents story. (Picture book. 4-8)

Pub Date: Sept. 22, 2026

ISBN: 9781250414380

Page Count: 40

Publisher: Balzer + Bray

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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