by Jonathan Stutzman ; illustrated by Heather Fox ‧ RELEASE DATE: May 7, 2019
Will make Rubin and Salmieri’s fans split their own pants.
An astronomically tall tale in which a llama’s inability to control his appetite inadvertently creates a black hole.
Stutzman and Fox’s debut collaboration takes on the concept popularized by Adam Rubin and Daniel Salmieri’s Dragons Love Tacos (2012), in which creatures’ dining preferences wreak havoc upon the world as we know it. It happens, more specifically, after Llama has eaten a gigantic pile of cakes, squeezed into too-small dancing pants, and then ripped his pants while dancing. The understated narration is passively critical of Llama’s choices, detailing the moments (“mistakes”) in which he could have made different choices in the past tense. The book’s exploration of consequences is muddled by the fact that readers are positioned alongside the narrative voice, which, in expressing disapproval of Llama’s choices, sounds somewhat fatphobic: According to the text, overeating is an “honest mistake” that leads to “the ultimate doom of everything.” However, Fox’s digital illustrations successfully utilize color and shape to simultaneously heighten the hilarity and the drama; Llama’s gigantic eyes and stubby legs belie the gravity (or lack thereof) of the world’s impending doom. The book itself is well-designed. Beneath the appropriately urgent-looking fluorescent orange dust jacket, emblazoned with the title in capital letters, Llama appears wearing intact pants in a spotlight underneath a disco ball, and the front and back endpapers contain clues about the fate of the world.
Will make Rubin and Salmieri’s fans split their own pants. (Picture book. 3-8)Pub Date: May 7, 2019
ISBN: 978-1-250-30317-2
Page Count: 40
Publisher: Henry Holt
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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SEEN & HEARD
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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