Subtle and effective, with a touch of drama to prove a point.
When Cub is blamed for a squabble that his little sister instigates, the little lion then navigates a variety of anger-management techniques suggested by the savanna community.
Gnu recommends “stamping and stomping,” which only leads the angry Cub to hurt his paw on a stone. Rhino proposes bashing and crashing, while Hippo advocates splattering and splashing, which only makes Cub smelly and stinky. Now he is even more irate and gets in a loud, raucous argument with Elephant, which then initiates a huge “STAMPEDE!” When things settle down, gray-whiskered Baboon commiserates with Cub’s feelings and offers the most effective method to let out one’s anger. “First, breathe deeply in and out, and slowly count to 10. / Make a bunch of funny faces, then start all over again!” Mindful awareness inspires an apology, much to the visible delight of papa Lion. Soft-toned digital art against an expanse of stark white space presents a vibrant view of the range of young and old wildlife trying to solve a problem—though it is humanity’s lesson in simple humility, offered by a wise elder with a plausible and comforting solution, that effortlessly prevails. In this French import, the clean, minimal storytelling with sincere dialogue has much to say about emotions and reactions.
Subtle and effective, with a touch of drama to prove a point. (Picture book. 3-6)Pub Date: March 1, 2019
ISBN: 978-1-68010-129-4
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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