Still a hustler, still a salesman—and also a hell of a writer.
After serving time in federal minimum-security prison for stock fraud, money laundering and other financial crimes, Belfort offers another coarse, lively text as a companion to The Wolf of Wall Street (2007).
That unsavory bestseller chronicled the rise of a cocky thief who actually operated a bucket shop in Long Island, not lower Manhattan. This is about his fall. It’s also about money and sex, featuring erotic histrionics and rancid uxorious relations. The language is still nasty, the braggadocio intact. No lovable scamp, Belfort remains cunning and vainglorious, frequently mentioning the cost of his clothing and his furniture, sneering at the cheap shoes and Bic lighters of his federal captors. After all, he once had the mansions, the yacht, the money. But he confessed and became a cooperating informant. He ratted on friends and thieving comrades. He wore a wire. His new memoir is graphic, at once lowdown and over-the-top. Included is the collapse of his second marriage to “the Duchess of Bay Ridge,” a classic trophy wife he had bugged for his own reasons. He got engaged to Miss Soviet Union. He dallied with a “self-proclaimed Jewish blow-job queen” and dabbled in what he calls “model-mongering.” He jumped bail and broke his cooperation agreement by taking an ill-fated trip to Atlantic City with an underage “model.” Withal, his love for his two children remained. In reward for his cooperation he served less than two years. In the Big House he bunked with Tommy Chong, who guided him in the craft of authorship. Chong, whose sincere, flaky memoir (The I Chong, 2006) is half as long as his student’s, apparently forgot to impart the rule of Less is More.
Still a hustler, still a salesman—and also a hell of a writer.Pub Date: March 3, 2009
ISBN: 978-0-553-80704-2
Page Count: 480
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
BOOK REVIEW
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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