This moving work should help children understand the current national discussion.

READ REVIEW

CARAVAN TO THE NORTH

MISAEL'S LONG WALK

In October 2018, hundreds of people gathered in the capital city of El Salvador to form a caravan heading to the United States. Through the voice of one of these asylum seekers Argueta chronicles the unimaginable walk to the Tijuana border.

Misael Martínez, his brother, and their parents have joined the caravan “because you can’t really live / in my village anymore. / There’s no work. / There’s no way to get by. / What there is, / is violence, gangs.” As the caravan undertakes the staggering walk of over 2,500 miles—most individuals with no more than a backpack “full of hopes”—crossing through El Salvador, Guatemala, and Mexico, they are met mostly with kindness along the way. Finally, after much hardship, they reach the U.S. border only to be met with tear gas, “police with shields / and soldiers everywhere. / I’m really, really, really scared.” That night he dreams “the sweetest dream of all. / Instead of going to the North, / I went back to El Salvador.” Deceptively simple black-and-white line drawings accompany this wrenching account of the humanitarian crisis taking place in Central America and at the U.S. border. Read this along with Argueta’s Somos como las nubes/We Are Like the Clouds, illustrated by Alfonso Ruano and translated by Elisa Amado (2016). Argueta’s original Spanish text, Caravana al norte, publishes simultaneously.

This moving work should help children understand the current national discussion. (afterword, map) (Verse fiction. 9-adult)

Pub Date: Oct. 1, 2019

ISBN: 978-1-77306-329-4

Page Count: 112

Publisher: Groundwood

Review Posted Online: Aug. 28, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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A well-Crafted, visually rich, truth-telling tale for our troubled times that affirms the eternal importance of friends.

CLASS ACT

Jordan Banks has returned to the elite Riverdale Academy Day School for eighth grade, and although he still doesn’t smell like an eighth grade boy—much to his dismay—his growth spurt comes in other forms.

Unlike New Kid (2019), this sequel offers the perspectives of not just Jordan, but also his best friend, Drew, and his wealthy White friend, Liam. As Jordan navigates what may be his last year at RAD before transferring to art school, he frequently compares his experiences with Drew’s: Both boys are Black, but Drew is taller, more athletic, and has darker skin. Drew also has a new flattop that attracts unwanted touching from non-Black kids. This story focuses on how differently RAD students and teachers treat light-skinned Jordan and dark-skinned Drew and also how middle-class Jordan, working-class Drew, and rich Liam negotiate a friendship of mutual respect and care. RAD administrators and teachers have also realized that they need to work on diversity, equity, and inclusion, but their leadership choice for this initiative results in more microaggressions for the students of color. Jordan’s cartoon “intermissions,” black-and-white pencil sketches, capture his imaginative wit while conveying perceptive observations about race and class that ring true. Each chapter’s title page textually and illustratively echoes popular graphic works for young readers such as Jeff Kinney’s Diary of a Wimpy Kid.

A well-Crafted, visually rich, truth-telling tale for our troubled times that affirms the eternal importance of friends. (author's note) (Graphic fiction. 9-14)

Pub Date: Oct. 6, 2020

ISBN: 978-0-06-288551-7

Page Count: 256

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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