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GOODNIGHT ALREADY!

From the Goodnight Already! series

That’s all, though, folks. With its one-joke plot and dramatic potential, it’s better suited to school and library use than...

Animals with differing internal rhythms find it challenging to be neighbors in this nocturnal tale.

Duck is full of energy; sitting in his brightly lit, yellow kitchen, he sips coffee while perusing 101 Ways to Stay Awake. Bear, by contrast, stands sleepily at the base of the staircase in his dimly lit living room, stuffed rabbit dangling from one massive paw. Just after Bear climbs the steps and settles in, Duck raps on the door, wide awake. "Wanna play cards?…Watch a movie?…Start a band?…Make smoothies?" To each suggestion, Bear simply says “No.” This pattern plays out three times, each episode ending with one or the other voicing the titular refrain until the beleaguered bear is finally wide awake, and the duck drifts off. The relationship between a lumbering, grumpy character and a frenetic extrovert will be familiar to grown-up fans of cartoons, and Duck’s ludicrous behavior and costumes will no doubt elicit giggles from young listeners. Davies brings an animator’s sensibility to his uncluttered compositions; variation in page color and typeface as well as skillful manipulation of facial features signal emotional states. The texture of the hairy bear and the occasional patterns on the floor and bedspread add interest to the flat backgrounds.

That’s all, though, folks. With its one-joke plot and dramatic potential, it’s better suited to school and library use than repeat readings in a lap at home. (Picture book. 3-6)

Pub Date: Dec. 2, 2014

ISBN: 978-0-06-228620-8

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 13, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE GIRL WHO NEVER MADE MISTAKES

A good choice for offering comfort and support to a budding perfectionist.

Can anyone be perfect?

Beatrice Bottomwell always does everything right. “Most people in town didn’t even know Beatrice’s name. They just called her ‘The Girl Who Never Made Mistakes,’ because for as long as anyone could remember, she never did.” One Thursday though, she almost does something wrong (she drops some eggs while cooking at school but catches them just in time). Straightforward text describes Beatrice’s predicament as, unnerved, she ponders her almost-error and begins to worry. What if she really does do something wrong? Brightly colored watercolors and gentle humor combine to portray Beatrice’s eventful day, her growing fear and her sprightly pet hamster. During a school talent show, Beatrice finally makes a real mistake—in front of everyone. How will she cope? Learning how to relax enough to laugh and simply be herself just might do the trick. While the plot is predictable and the solution to the problem fairly pat, this is a well-intentioned story, full of acceptance and goodwill. It will be especially useful in a therapeutic setting; it may be a real comfort to a child who is afraid of making mistakes, while children dealing with similar issues will also find reassurance here.

A good choice for offering comfort and support to a budding perfectionist. (Picture book. 3-6)

Pub Date: Oct. 4, 2011

ISBN: 978-1-4022-5544-1

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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