An ineffective mixture of moralistic and didactic.

IT'S NOT MY FAULT!

Inanimate objects defend themselves against misassigned blame.

An aggrieved teacher asks her student, “Why is your homework so messy?…Why can’t I read these test answers?…Why is your assignment so late?” The red-haired, gap-toothed boy confidently blames his pen, which growls in frustration in four increasingly large graphic-novel–style panels. The nameless white boy blames his shoes for mud tracked into the house, his backpack for his missing homework, and the moon for his late bedtime. “Welp. I think I’ve figured it all out. You just blame other stuff!” boasts this unlikable protagonist. But in a Scrooge-ian maybe-dream, his angry pen launches into a lengthy diatribe about how “never taking responsibility for your actions…is a sham.” The lecture continues for multiple pages, ending with the pen’s dubious assertion that the boy is “a mostly good kid with mostly good intentions” (though the text provides no evidence to back up this claim). The next day the boy seems to turn over a new leaf, standing on a table and yelling to his multiracial classmates that he no longer blames his possessions for his mistakes, but when put to the test, he goes back to his old habits. What could be an interesting commentary on white male entitlement ultimately fails to deliver, but Chapman’s cartoons of growling, angrily grimacing anthropomorphic objects are amusing.

An ineffective mixture of moralistic and didactic. (Picture book. 4-7)

Pub Date: June 9, 2020

ISBN: 978-1-9848-3060-9

Page Count: 40

Publisher: Random House

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

LOVE MONSTER

Monster lives in Cutesville, where he feels his googly eyes make him unlovable, especially compared to all the “cute, fluffy” kittens, puppies and bunnies. He goes off to find someone who will appreciate him just the way he is…with funny and heartwarming results.

A red, scraggly, pointy-eared, arm-dragging monster with a pronounced underbite clutches his monster doll to one side of his chest, exposing a purplish blue heart on the other. His oversized eyes express his loneliness. Bright could not have created a more sympathetic and adorable character. But she further impresses with the telling of this poor chap’s journey. Since Monster is not the “moping-around sort,” he strikes out on his own to find someone who will love him. “He look[s] high” from on top of a hill, and “he look[s] low” at the bottom of the same hill. The page turn reveals a rolling (and labeled) tumbleweed on a flat stretch. Here “he look[s] middle-ish.” Careful pacing combines with dramatic design and the deadpan text to make this sad search a very funny one. When it gets dark and scary, he decides to head back home. A bus’s headlights shine on his bent figure. All seems hopeless—until the next page surprises, with a smiling, orange monster with long eyelashes and a pink heart on her chest depicted at the wheel. And “in the blink of a googly eye / everything change[s].”

This seemingly simple tale packs a satisfying emotional punch. Scarily good! (Picture book. 4-7)

Pub Date: Dec. 31, 2013

ISBN: 978-0-374-34646-1

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 18, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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