Fiendish monsters—and everyone else—rejoice! (Picture book. 3-7)

QUIT CALLING ME A MONSTER!

A grand return to a world of endearing monsters from the duo behind I Will Chomp You! (2015).

Readers meet an immaculately dressed, wildly hairy monster who has more than its share of woes. “Quit calling me a monster! Just…stop it, right this minute!” John once again employs direct address to let the monster air its grievances. At first, the scraggly protagonist attempts to prove to readers that it's not so monstrous. Sure, it does have all the trademarks of a monster, with its “huge, toothy smile that glows in the dark” and “crazy hair” and “wild eyes.” However, looks can deceive. As the monster gradually rallies against stereotypes and directs its ire toward readers, the book plumbs even greater depths of humor. “It’s not like I ever call you names, do I?” Shea’s colorful, expressive illustrations enhance the theatrical antics of the monster through the twitch of a grin or eye, making the monster seem as approachable as it is cranky. Still, the good old monster can’t seem to shake the label. After admitting that, OK, it is a monster, it instead opts for a different approach, introducing itself to readers. “My name is Floyd. Floyd Peterson.” After all, Floyd Peterson sounds like someone no one would mind meeting.

Fiendish monsters—and everyone else—rejoice! (Picture book. 3-7)

Pub Date: Aug. 23, 2016

ISBN: 978-0-385-38990-7

Page Count: 40

Publisher: Random House

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Young readers will hunt out this enjoyable crowd pleaser again and again.

WE'RE GOING ON A GOON HUNT

Hunt for a bear? That’s so yesterday.

On a spooky Halloween night, we’re hunting for…a green GOON. We’re not really scared. Let’s start in a pumpkin patch. We can’t go over or under it, so we’ll just go through it. We’ll do the same in other likely goon hideouts: a swamp, a tunnel, a forest, a graveyard, and, finally, a haunted house. In this atmospheric “petrifying parody” of We’re Going on a Bear Hunt, a dad and his four kids, dressed in Halloween finery and accompanied by their costumed pup, search for the elusive quarry. They become more frightened (particularly dad and pooch, even from the outset) as they proceed along the increasingly murky path—except for the youngest, unicorn-outfitted child, who squeals a delighted welcome to whatever creature unexpectedly materializes. As in the classic original, evocative sound effects (“Gurgle hiss, gurgle hiss, gurgle hiss!”) ring out as the quintet moves through each hazard. Unsurprisingly, the group locates the goon, forcing them to retrace their steps home in a frenzied hurry, odd noises and all. They reach safety to discover…uh-oh! Meanwhile, someone’s missing but having a ball! Even readers who’ve never read or heard about the bear expedition will appreciate this clever, comical, fast-paced take. The colorful line illustrations are humorously brooding and sweetly endearing, with the family (all members present White) portrayed as growing steadily apprehensive. (This book was reviewed digitally with 8.5-by-20.8-inch double-page spreads viewed at 74.6% of actual size.)

Young readers will hunt out this enjoyable crowd pleaser again and again. (Picture book. 3-7)

Pub Date: Aug. 18, 2020

ISBN: 978-1-984813-62-6

Page Count: 40

Publisher: Putnam

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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An astonishing work of art and a crucial addition to every bookshelf.

WHEN WE SAY BLACK LIVES MATTER

The author of The Patchwork Bike (illustrated by Van Thanh Rudd, 2016) writes to children about the meaning of the phrase Black Lives Matter.

Pastel illustrations, also by Clarke, on dark, textured paper are paired with oversized, contrasting text addressed to “Little one.” In the visuals, a family that begins as a couple expecting a baby grows into a family with a child and then becomes part of a community in protest, marching for Black lives, before a final page shows a jubilant Black boy in a cap and gown. The adult narrator explains that “when we say Black Lives Matter, / we’re saying Black people are wonderful-strong.” Other meanings of the rallying cry, when it is called out, screamed, sung, laughed, and known, include a demand for respect, a defiant joy, a channeling of ancestors, an acknowledgment of trouble, and knowing one’s worth. Clarke’s text is poignant and mesmerizing, with design elements that raise the text to an artistic level, shaping it around the art and highlighting active and emotional words in color: enough, dancing, radiant, precious. The art is truly outstanding, gripping the heart from the very first spread and not letting go. With colored shapes and stained-glass motifs, these Black figures feel real and weighty. Within this deep dive are tragedy, fear, anger, and mourning alongside hope, comfort, strength, and triumph. This slim book contains a necessary and healing exploration of our current moment that will remain relevant for decades to come.

An astonishing work of art and a crucial addition to every bookshelf. (Picture book. 4-10)

Pub Date: Sept. 14, 2021

ISBN: 978-1-5362-2238-8

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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Halloween is used merely as a backdrop; better holiday titles for young readers are available.

THE LITTLE GHOST WHO WAS A QUILT

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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