An amusing trifle for those that like animal stories.
Ozzy is about to be a mother when lions arrive for an attack!
This Spanish import starts as a quiet, repetitive counting book, as first one, then two, then “three ostriches found three flowers.” The counting motif continues as one, then two, then “three lions saw three ostriches, licked their lips and their whiskers and claws, and thought: YUM! YUM! YUM!” But then there is a break in the pattern. Ozzy, the first ostrich, lays her egg, spies the predatory lions, and angrily yells: “Nah-nana-naa-nah…Not you, nor you, nor you can get this egg!” There is an anxious moment when the lions advance toward the three large birds, but at Ozzy’s “whistle” command, “the big birds buried their heads in the sand.” At Ozzy’s second signal, their heads come up, and they shout: “BOO!” The effect of this action is quite bizarre; the lions are so frightened that one “turned white,” the second “lost all of his fur,” and the last lion’s “teeth fell out.” There are more physical transformations in store, and the lions actually become friends with the ostriches, until three new lions appear. Who can save the friends from these new enemies? Humorous paintings, full of action and set in an imaginary African savanna, accompany a silly but rhythmic text that sometimes sounds like a folk tale. It is also available in Spanish as El Avestruz Mariluz.
An amusing trifle for those that like animal stories. (Picture book. 3-6)Pub Date: June 12, 2017
ISBN: 978-84-945415-9-9
Page Count: 40
Publisher: NubeOcho
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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