Head-on against the grim indignities of an unequal world, Falero’s poetic novel embraces humor and empathy.
A look at poverty and ambition in Brazil.
The title characters begin this vibrant and punchy novel (Falero’s first to be translated into English) as stock workers at a Porto Alegre supermarket. The ball gets rolling when Pedro—the bookish smooth talker of the pair—takes “stock of the world around him” and realizes that all his problems have one solution: money. Meanwhile, Marques—more demure and gruff— is repeatedly “zapped” by “the stinger of self-hatred” as he imagines the meager life in store for his children. He, too, resolves to escape poverty. In a long-winded and entertaining dialogue, Pedro primes Marques on socialism (“The guy was called Marques, like me?” “No. Marx, with the letter ex”), convincing him they deserve a little comfort and luxury—even if comfort and luxury mean breaking a few bourgeois laws. Everyone has “to choose between being a thug or a slave,” Pedro says more than once. But once they hatch a scheme to finally move up in the world, the two friends spend the duration toeing that line, eager to attain power and dignity without betraying their values. Falero tells this story in delightful prose. Meandering sentences and wry repetitions breathe personality into the characters’ inner lives, and the landscape of Porto Alegre’s slums is rendered with forlorn affection. Occasional metaphors sing: Pedro is at one point “so tired he felt soft like butter”; we see one character’s “sorrow brim over and touch” another. Through Falero’s lovable characters, readers will meditate on violence and respectability within the death-trap of runaway capitalism. “When reality walks through the door,” he warns, “there isn’t a single smile that doesn’t fly out the window.
Head-on against the grim indignities of an unequal world, Falero’s poetic novel embraces humor and empathy.Pub Date: Nov. 7, 2023
ISBN: 9781662601231
Page Count: 304
Publisher: Astra House
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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