A powerful work, formidably illustrated.
Minimal text accents full-bleed, emotive watercolor illustrations in this Portuguese import from celebrated author and poet José Jorge Letria and his illustrator son.
The book opens with a near-black, abstract spread populated with spidery, serpentine shadows that subsequently creep and crawl across a stark landscape. A crow or raven leads the mass of darkness as “war spreads through the day like a whispered, swift disease” until it reaches a dark building inhabited by a faceless, uniformed human figure. Spiders, centipedes, beetles, and snakes march across a map-covered table as the ominous human leader dons a medieval jousting helm, sets books alight, and musters armies. Wordless spreads in dark, muted grays, military greens, and dull browns feature toy-soldier–like rows of faceless infantrymen, 1940s-style planes dropping bombs over a darkened European city, and the dark clouds and rubble the maneuvers leave in their wake. While not, perhaps, an obvious choice for young audiences well removed from the horrors of war, the frank but thoughtful wording and masterfully abstracted illustrations will provide an opportunity for caregivers to broach the heavy subject matter in a safe environment. War, personified, “feeds on hate, ambition, and spite” and is “never able to tell stories”—but this book is sure to open a door for processing and healing. Of particular note is a spread of surreal, wriggly human figures, so small as to cohere into a pattern rather than an illustration, bookended by “War is thunder and chaos” and “War is silence.”
A powerful work, formidably illustrated. (Picture book. 4-10)Pub Date: Aug. 24, 2021
ISBN: 978-1-77164-726-7
Page Count: 64
Publisher: Aldana Libros/Greystone Kids
Review Posted Online: July 29, 2021
Kirkus Reviews Issue: Aug. 15, 2021
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Wild and wacky.
A picture book from the comedy duo known as Rhett & Link, creators of the online juggernaut Good Mythical Morning.
Lumo is obsessed with chicken fingers; Saffy, who is new to town and anxious about starting school, finds comfort in the only food she likes: buttered spaghetti. The night before the first day of school, a thunderstorm rages, and each kid makes a wish—“to have chicken fingers at school,” in Lumo’s case; Saffy wishes for “the first thing off the top of her head: buttered spaghetti.” File under “Be careful what you wish for.” Lumo’s and Saffy’s respective physical changes (chicken fingers for fingers, spaghetti for hair) make navigating school a challenge but bring them together in the cafeteria, where they enjoy some new foods—and their new friendship. The plotting could have been sharper: Why do the kids’ bodies suddenly return to normal? And couldn’t the authors have thought up a less old-hat story-ending punch line? Nevertheless, McLaughlin and Neal get by on their charm, and the plot sets up some funny visuals. Salcedo’s cartoony Photoshop art features well-chosen artifacts from a typical kid’s life and captures the mortification of not fitting in, which will be familiar even to readers who have never experienced breaded fingers or noodle hair. Lumo is brown-skinned and dark-haired; Saffy is pale-skinned with disheveled reddish-brown hair.
Wild and wacky. (Picture book. 4-8)Pub Date: June 16, 2026
ISBN: 9780063474154
Page Count: 32
Publisher: HarperPop/HarperCollins
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
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