Breathtaking.
A family’s arduous journey from a farm in Mexico to a crowded dwelling in Los Angeles unfolds, literally, as a ribbon is untied and accordion-style pages open to reveal one continuous, aesthetically astonishing scene.
The densely packed black-and-white composition painted on traditional amate (tree bark) paper conjures both the mystery and stylization of pre-Columbian codices and the imagery and political overtones of a Diego Rivera mural. Written in the first person (English on one side, Spanish on the reverse), the succinct but pithy paragraphs read vertically, paralleling the visual layers. Low buildings, pigs and vegetation surround the young narrator as he feeds roosters in the top scene. When the economy changes, his father searches for work across the northern border. Tension mounts as the family follows later, jumping onto moving trains and avoiding police so they don’t “disappear.” Mirrored actions heighten the drama: An early game of hide-and-seek contrasts with the subsequent need to escape detection by border patrols, for instance. Arriving to a world of skyscrapers and thruways, mother and children find cleaning jobs, but their future is uncertain, as is the whereabouts of their husband/father. Content and design coalesce in a handsome presentation that invites readers to decode intriguing images in a pastoral setting suggestive of folklore—and in the process, arouses empathy for the all-too-real risks surrounding migrants.
Breathtaking. (author and illustrator notes) (Picture book. 6-12)Pub Date: May 1, 2014
ISBN: 978-1-4197-0957-9
Page Count: 22
Publisher: Abrams
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
A kind child in a book for middle-grade readers? There’s no downside to that.
Beatrice Zinker is a kinder, gentler Judy Moody.
Beatrice doesn’t want to be fit in a box. Her first word was “WOW,” not “Mom.” She does her best thinking upside down and prefers to dress like a ninja. Like Judy Moody, she has patient parents and a somewhat annoying younger brother. (She also has a perfectly ordinary older sister.) Beatrice spends all summer planning a top-secret spy operation complete with secret codes and a secret language (pig Latin). But on the first day of third grade, her best friend, Lenny (short for Eleanor), shows up in a dress, with a new friend who wants to play veterinarian at recess. Beatrice, essentially a kind if somewhat quirky kid, struggles to see the upside of the situation and ends up with two friends instead of one. Line drawings on almost every spread add to the humor and make the book accessible to readers who might otherwise balk at its 160 pages. Thankfully, the rhymes in the text do not continue past the first chapter. Children will enjoy the frequent puns and Beatrice’s preference for climbing trees and hanging upside down. The story drifts dangerously close to pedantry when Beatrice asks for advice from a grandmotherly neighbor but is saved by likable characters and upside-down cake. Beatrice seems to be white; Lenny’s surname, Santos, suggests that she may be Latina; their school is a diverse one.
A kind child in a book for middle-grade readers? There’s no downside to that. (Fiction. 6-10)Pub Date: Sept. 19, 2017
ISBN: 978-1-4847-6738-2
Page Count: 160
Publisher: Disney-Hyperion
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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