A Brazilian classic with a whimsical and heart-rending essence.


The misadventures of a precocious 5-year-old in 1920s Rio de Janeiro.

Gifted Zezé’s family has been down on their luck since his father lost his job. His smarts and imagination are often misdirected into pranks that lead to violent punishment. Life starts to look up when Zezé begins school and also meets two new friends: Pinkie, the talking orange tree which grows in the garden of the family’s new house, and Manuel, a Portuguese man who becomes his only source of adult tenderness and care. But just as Zezé’s family’s fortunes start to change, the boy meets relentless tragedy and heartbreak. First published in 1968, this autobiographical novel is at once a bleak portrayal of emotional and physical abuse and an affecting examination of the healing powers of imagination and of nurturing friendship. Zezé is told multiple times—and internalizes the message—that the devil is inside him, and the shockingly graphic violence often leaves him bleeding (one such beating leads the boy to think of suicide). It’s only when he shares his emotional pain with “Portuga” (Zezé’s nickname for Manuel) that he starts to learn what real love is. With a plainspoken and episodic narrative, the novel reads as a coming-of-age story despite the character’s youth. Zezé is fair and blond, Portuguese on his father’s side and Apinajé Indian on his mother’s.

A Brazilian classic with a whimsical and heart-rending essence. (translator’s note) (Fiction. 12-adult)

Pub Date: July 9, 2019

ISBN: 978-1-5362-0328-8

Page Count: 272

Publisher: Candlewick

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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Vivid, chilling, and important.


Two 18-year-olds with traumatic pasts become entangled in a high-stakes manhunt for a serial killer targeting teenagers.

Emma Lewis isn’t your average psychology undergrad (and not just because she has a buzz cut). Two and a half years ago, she escaped a serial killer’s clutches and then helped the authorities apprehend him. Now a student at Ohio State, she’s been recruited for her unique qualifications by an agent in the FBI’s Behavioral Science department to spend the summer interviewing juvenile offenders. Alongside trainee Travis Bell, whose late father was killed while apprehending one of their subjects, Emma reluctantly ventures into the minds of teenage killers—and must confront her own past when one of the subjects offers unexpected insight into the motives of a new killer known as the Butcher. Set in the early 1980s, narrated in present tense, and told through Emma’s perspective as well as others’ (including the Butcher’s), the tightly plotted story moves inexorably forward with shocking twists alongside clear, applicable descriptions of the cognitive behavioral strategies Emma uses to navigate her PTSD. The narrative is critical of law enforcement work, emphasizing its psychological toll, and the '80s cultural references are handled with a light touch. Emma is white while Travis is cued as biracial (Mexican American and white); although most secondary characters appear white, two key figures are people of color.

Vivid, chilling, and important. (author's note) (Fiction. 13-18)

Pub Date: Sept. 1, 2020

ISBN: 978-0-316-49783-1

Page Count: 400

Publisher: Little, Brown

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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