by Josep Pla ; translated by Peter Bush ‧ RELEASE DATE: Dec. 1, 2020
A fine introduction to a writer little known outside his native land and who memorably captures its atmosphere.
Joined sketches, ostensibly fictional but with the ring of lived truth to them, by the noted Catalonian writer.
As translator Bush remarks in an afterword, Pla’s (1897-1981) chronicles of his seafaring compatriots were supposedly written during the author’s youth. Most, in fact, were from the 1940s, when, working as a journalist, Pla made a specialty of sneaking subtle criticisms of the Franco dictatorship into his copy. Sometimes his resistance is less than subtle. In one story, the narrator is conversing with “Dalí the painter’s father,” as he prefers to be called, and recounts, “In the Ampurdan, we federal republicans and those who didn’t think like us created a most pleasant level of coexistence, which had eliminated all forms of brutality….We’d rage at each other, but there was mutual respect. All that was destroyed thanks to theories about human progress and happiness.” Most of the stories are laden with references to the glories of Catalan cuisine, so much better, Pla asserts, than the butter-heavy French cuisine up the coast; in just about every story, someone is eating anchovies and sardines and sea bream, and it’s a book not to be read on an empty stomach. In just about every story, too, there is a reminder not just of food, but also of the antiquity of the Mediterranean; a Zorba-like character with the Greek-ish name of Hermós, for example, claims that the people along the cape he inhabits are indeed Hellenes, for “those Greeks were no fools. They chose to come and live in the best of places.” Blending both themes, the narrator later rejoins, “The spectacle of avid hunger becomes this antique sea. There are corners of this sea where you can smell the stench of Homeric hecatombs.” Pla’s stories are generally unadorned and precise in their renderings of both the people and the places of the far northeast of Spain, lives full of hardship and labor—but also their insistence on freedom.
A fine introduction to a writer little known outside his native land and who memorably captures its atmosphere.Pub Date: Dec. 1, 2020
ISBN: 978-1-939810-72-4
Page Count: 310
Publisher: Archipelago
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
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BOOK REVIEW
by Josep Pla ; translated by Peter Roland Bush
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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