WABI

A HERO’S TALE

Bruchac, in top form here, crafts an exhilarating journey tale that not only promotes the value of listening, asking questions and telling stories, but is laced with folkloric elements, heroic deeds, romance, toothy monsters and transformations. Born an owl with oddly pale feathers and the ability to understand all creatures, Wabi finds himself falling in love with Dojihla, a young woman from the local village. Discovering from his wise great-grandmother that he has the power to change his form, he becomes human (though retaining his owl’s ears). But when Dojihla rejects his suit, as she has those of all other men, he sorrowfully departs on a quest to discover what became of the wolf pack from which Malsumsis, his oversized best friend, had come. No, the plot doesn’t exactly hang together—but readers aren’t likely to care that much, as, along the way, Wabi faces one malign, magical swamp or forest creature after another, culminating in a titanic battle to save a repentant Dojihla from a crazed giant bear. Parts of this, particularly the climax, will seem familiar to fans of Michelle Paver’s Wolf Brother (2005), but Bruchac gives the story a distinctive Native American cast, and readers won’t be able to turn the pages fast enough. (Fantasy. 11-13)

Pub Date: April 1, 2006

ISBN: 0-8037-3098-5

Page Count: 192

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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FABLEHAVEN

Witty repartee between the central characters, as well as the occasional well-done set piece, isn’t enough to hold this hefty debut together. Teenagers Seth and Kendra are dropped off by traveling parents at their grandfather’s isolated Connecticut estate, and soon discover why he’s so reluctant to have them—the place is a secret haven for magical creatures, both benign and decidedly otherwise. Those others are held in check by a complicated, unwritten and conveniently malleable Compact that is broken on Midsummer Eve, leaving everyone except Kendra captive in a hidden underground chamber with a newly released demon. Mull’s repeated use of the same device to prod the plot along comes off as more labored than comic: Over and over an adult issues a stern but vague warning; Seth ignores it; does some mischief and is sorry afterward. Sometimes Kendra joins in trying to head off her uncommonly dense brother. She comes into her own at the rousing climax, but that takes a long time to arrive; stick with Michael Buckley’s “Sisters Grimm” tales, which carry a similar premise in more amazing and amusing directions. (Fantasy. 11-13)

Pub Date: Aug. 1, 2006

ISBN: 1-59038-581-0

Page Count: 368

Publisher: Shadow Mountain

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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GATHERING BLUE

From the Giver Quartet series , Vol. 2

Lowry returns to the metaphorical future world of her Newbery-winning The Giver (1993) to explore the notion of foul reality disguised as fair. Born with a twisted leg, Kira faces a bleak future after her mother dies suddenly, leaving her without protection. Despite her gift for weaving and embroidery, the village women, led by cruel, scarred Vandara, will certainly drive the lame child into the forest, where the “beasts” killed her father, or so she’s been told. Instead, the Council of Guardians intervenes. In Kira’s village, the ambient sounds of voices raised in anger and children being slapped away as nuisances quiets once a year when the Singer, with his intricately carved staff and elaborately embroidered robe, recites the tale of humanity’s multiple rises and falls. The Guardians ask Kira to repair worn historical scenes on the Singer’s robe and promise her the panels that have been left undecorated. Comfortably housed with two other young orphans—Thomas, a brilliant wood-carver working on the Singer’s staff, and tiny Jo, who sings with an angel’s voice—Kira gradually realizes that their apparent freedom is illusory, that their creative gifts are being harnessed to the Guardians’ agenda. And she begins to wonder about the deaths of her parents and those of her companions—especially after the seemingly hale old woman who is teaching her to dye expires the day after telling her there really are no beasts in the woods. The true nature of her society becomes horribly clear when the Singer appears for his annual performance with chained, bloody ankles, followed by Kira’s long-lost father, who, it turns out, was blinded and left for dead by a Guardian. Next to the vividly rendered supporting cast, the gentle, kindhearted Kira seems rather colorless, though by electing at the end to pit her artistic gift against the status quo instead of fleeing, she does display some inner stuff. Readers will find plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint (stay sharp, or you’ll miss it) about the previous book’s famously ambiguous ending. A top writer, in top form. (author’s note) (Fiction. 11-13)

Pub Date: Sept. 1, 2000

ISBN: 0-618-05581-9

Page Count: 224

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2000

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