by Joseph Delaney & illustrated by Patrick Arrasmith ‧ RELEASE DATE: April 1, 2012
A good balance between dark action and emotional costs.
This installment deviates from The Last Apprentice's usual formula, following witch assassin Grimalkin instead of Spook's apprentice Thomas Ward after the events of Rage of the Fallen (2011).
The Fiend has been bound but not killed, so his servants seek to restore him. To prevent this, Grimalkin took his decapitated head with her—it must be reunited with the bound body for the Fiend to rise again. Narrated by Grimalkin rather than presented as Tom's writing, the story is in present tense. The immediacy ratchets up tension as increasing numbers of powerful dark servants pursue Grimalkin. Although the legendary witch assassin is among the best killers to ever have lived, she is endangered by a kretch, a she-wolf/demon hybrid created by dark-magic users specifically to kill her. Forced to seek help, stubbornly self-reliant Grimalkin leaves a path of violent devastation among her allies wherever she goes, making painful sacrifices to thwart the Fiend while Tom seeks ways to kill him. The narration and short, free-verse poems at the beginning of each chapter give a complex look into Grimalkin's peculiar thought processes, and her history is unveiled through the personal stories her protégé enjoys hearing time and again. While her voice differs greatly from the familiar Tom's, the closer look makes her all the more intriguing.
A good balance between dark action and emotional costs. (Fantasy. 11-15)Pub Date: April 1, 2012
ISBN: 978-0-06-208207-7
Page Count: 400
Publisher: Greenwillow Books
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
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by Kevin Crossley-Holland ; illustrated by Chris Riddell ‧ RELEASE DATE: April 11, 2023
Visually stunning but there are many better—because they are less rigidly traditional—versions around.
A stately rendition of the Arthurian legend, garbed in sumptuous dress.
With much use of rich golden tones and his customary fanatical attention to detail, Riddell fills every available space, from page corners to broad pictorial borders and wordless full spreads, with grave knights in extravagant full armor, slender damsels and crones in flowing silks, luxuriant castles and chambers, and frighteningly bestial giants and other monsters. Crossley-Holland’s retelling of the Matter of Britain is less impressive, though he does cover the main Christian-inflected storyline (with a few additions, such as the tale of Gawain and the Green Knight). By adding care for the Earth as a knightly task, he introduces a contemporary note. But the women are still malign witches, flighty incompetents, or temptresses—and along with having Sir Lancelot mansplain early on that “women are the same as us, but different” (“Strange creatures,” says Sir Tristram. “Their feelings are so strong,” whines Sir Geraint), the author doubles down later by mystically declaring that the Holy Grail is actually Mary, at once male and female. But if the sex all takes place behind euphemisms or closed doors, at least, there is much rousingly explicit gore in narrative and visuals, and both Arthur and the annoyingly all-knowing Merlin wind up as properly available for return comings. Some of the Round Table knights, such as Sir Lamorak, are depicted with brown skin.
Visually stunning but there are many better—because they are less rigidly traditional—versions around. (Illustrated fantasy. 12-15)Pub Date: April 11, 2023
ISBN: 978-1-5362-1265-5
Page Count: 240
Publisher: Candlewick Studio
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Nnedi Okorafor ‧ RELEASE DATE: April 14, 2011
Ebulliently original.
Who can't love a story about a Nigerian-American 12-year-old with albinism who discovers latent magical abilities and saves the world?
Sunny lives in Nigeria after spending the first nine years of her life in New York. She can't play soccer with the boys because, as she says, "being albino made the sun my enemy," and she has only enemies at school. When a boy in her class, Orlu, rescues her from a beating, Sunny is drawn in to a magical world she's never known existed. Sunny, it seems, is a Leopard person, one of the magical folk who live in a world mostly populated by ignorant Lambs. Now she spends the day in mundane Lamb school and sneaks out at night to learn magic with her cadre of Leopard friends: a handsome American bad boy, an arrogant girl who is Orlu’s childhood friend and Orlu himself. Though Sunny's initiative is thin—she is pushed into most of her choices by her friends and by Leopard adults—the worldbuilding for Leopard society is stellar, packed with details that will enthrall readers bored with the same old magical worlds. Meanwhile, those looking for a touch of the familiar will find it in Sunny's biggest victories, which are entirely non-magical (the detailed dynamism of Sunny's soccer match is more thrilling than her magical world saving).
Ebulliently original. (Fantasy. 11-13)Pub Date: April 14, 2011
ISBN: 978-0-670-01196-4
Page Count: 352
Publisher: Viking
Review Posted Online: March 28, 2011
Kirkus Reviews Issue: March 15, 2011
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