A good balance between dark action and emotional costs.
This installment deviates from The Last Apprentice's usual formula, following witch assassin Grimalkin instead of Spook's apprentice Thomas Ward after the events of Rage of the Fallen (2011).
The Fiend has been bound but not killed, so his servants seek to restore him. To prevent this, Grimalkin took his decapitated head with her—it must be reunited with the bound body for the Fiend to rise again. Narrated by Grimalkin rather than presented as Tom's writing, the story is in present tense. The immediacy ratchets up tension as increasing numbers of powerful dark servants pursue Grimalkin. Although the legendary witch assassin is among the best killers to ever have lived, she is endangered by a kretch, a she-wolf/demon hybrid created by dark-magic users specifically to kill her. Forced to seek help, stubbornly self-reliant Grimalkin leaves a path of violent devastation among her allies wherever she goes, making painful sacrifices to thwart the Fiend while Tom seeks ways to kill him. The narration and short, free-verse poems at the beginning of each chapter give a complex look into Grimalkin's peculiar thought processes, and her history is unveiled through the personal stories her protégé enjoys hearing time and again. While her voice differs greatly from the familiar Tom's, the closer look makes her all the more intriguing.
A good balance between dark action and emotional costs. (Fantasy. 11-15)Pub Date: April 1, 2012
ISBN: 978-0-06-208207-7
Page Count: 400
Publisher: Greenwillow Books
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
IN THE NEWS
Eragon continues his Rider training in this dense sequel. After the epic battle at Farthen Dûr, Eragon travels to the elven city Ellesméra to complete his magical education. There he learns from Oromis and Glaedr, a wounded Rider and his dragon who have been hidden for years, ever since Galbatorix overthrew the old order and slew the Riders. Meanwhile, inhuman servants of Galbatorix have invaded Eragon’s home village Carvahall, hoping to capture Eragon’s cousin Roran. Roran leads the villagers to join the Varden rebellion against Galbatorix’s tyranny. Another epic battle concludes the story and brings the cousins together just in time for a revelation of dark secrets. Suffused with purple prose and faux-archaic language, this patchwork of dialogue, characters and concepts pulled whole cloth from the fantasy canon holds together remarkably well. Dramatic tension is maintained through the interweaving of Eragon’s and Roran’s adventures, though too much time is spent on the details of Eragon’s training. Derivative but exciting. (Fantasy. 12-15)
Pub Date: Aug. 23, 2005
ISBN: 0-375-82670-X
Page Count: 704
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
BOOK TO SCREEN
SEEN & HEARD
Visually stunning but there are many better—because they are less rigidly traditional—versions around.
A stately rendition of the Arthurian legend, garbed in sumptuous dress.
With much use of rich golden tones and his customary fanatical attention to detail, Riddell fills every available space, from page corners to broad pictorial borders and wordless full spreads, with grave knights in extravagant full armor, slender damsels and crones in flowing silks, luxuriant castles and chambers, and frighteningly bestial giants and other monsters. Crossley-Holland’s retelling of the Matter of Britain is less impressive, though he does cover the main Christian-inflected storyline (with a few additions, such as the tale of Gawain and the Green Knight). By adding care for the Earth as a knightly task, he introduces a contemporary note. But the women are still malign witches, flighty incompetents, or temptresses—and along with having Sir Lancelot mansplain early on that “women are the same as us, but different” (“Strange creatures,” says Sir Tristram. “Their feelings are so strong,” whines Sir Geraint), the author doubles down later by mystically declaring that the Holy Grail is actually Mary, at once male and female. But if the sex all takes place behind euphemisms or closed doors, at least, there is much rousingly explicit gore in narrative and visuals, and both Arthur and the annoyingly all-knowing Merlin wind up as properly available for return comings. Some of the Round Table knights, such as Sir Lamorak, are depicted with brown skin.
Visually stunning but there are many better—because they are less rigidly traditional—versions around. (Illustrated fantasy. 12-15)Pub Date: April 11, 2023
ISBN: 978-1-5362-1265-5
Page Count: 240
Publisher: Candlewick Studio
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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