Lots of fun and disturbing stuff, even if the story is scattered and unfocused at times.
The hidden seraphic testers of humanity must adjust to drastic changes to their world in the aftermath of 2009’s Probability Angels.
Mere months after their conflict, an uneasy peace has been reached between the testers, unseen beings who push humans to reach their full potential, and the rotted things, ex-testers who have become zombielike creatures. Testers have returned to their duties and, to protect themselves from rogue, rotting elements, now employ working-stiff zombie bodyguards and powerful matter-manipulating tricks. But their enemies are weakened, not defeated, and unknown elements abound, from a Mary Shelley-inspired zombie monster-maker, to two humans with seemingly unlimited pushing potential, to a drug-addicted teenager girl who can manipulate time. And then there’s Epp, the legendary ex-tester, now a rotted thing himself, whose identity crisis could make him the biggest threat of all. A good sequel should raise the stakes, and Devon’s novel largely delivers, as his world of testers and their zombie counterparts becomes even darker, with old threats and new factions threatening the delicate balance left by the war in Probability Angels. The novel is loaded with unique imagery, sometimes charming, sometimes horrific, but all very entertaining and presented in a casual style capable of unnerving one minute and creating tension the next. One of the author’s greatest strengths is world-building, but there’s just not enough new material here. With the world already built, there’s nothing to hide the novel’s shortcomings and wasted movements, particularly its repetitious exposition and reiterations of earlier scenes. Established characters like the rookie tester Matthew or the eccentric samurai Kyo have to share the stage with newer ones like the tortured, time-tweaking Madeline and the willful, rotted butcher Linus, and while fresh faces are exciting, splitting time between the new guard and the old ultimately short-changes both groups. Readers familiar with genre works will find some things a little pat, but the majority of Devon’s world still feels deep and original.
Lots of fun and disturbing stuff, even if the story is scattered and unfocused at times.Pub Date: April 28, 2011
ISBN: 978-1460957684
Page Count: 512
Publisher: CreateSpace
Review Posted Online: Dec. 22, 2011
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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