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THE GIRL IN THE WATER

An inviting, though dialogue-heavy, dive into the fragile world of a fading empire.

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Howse’s literary novel follows a Russian woman in the waning days of the Soviet Union.

Nadezhda “Nadia” Mikhailovna is the daughter of a shipping clerk and a factory worker. At a young age, she moves with her family from Estonia to Odessa. At 16, she’s sent back to Estonia to live with her grandmother, a spirited woman who weathered World War II, in the city of Tallinn. While in Estonia, Nadia learns of an “occurrence” at the Vladimir Ilyich Lenin Nuclear Power Plant that forces the evacuation of a place called Chernobyl. After visiting with Grandma, Nadia is off to see her sister, Nastya, in Kiev. She also interacts frequently with her childhood friend Ida Ivanova, an ethnic German who had “gone to a boarding school for orphans.” Ida undergoes shock therapy before she eventually gets to live in an apartment with a computer scientist. As the pensive Nadia goes from place to place and interacts with many people, readers learn her thoughts and impressions. She considers history to be “a melancholy treasure-house” and often reflects on her own and others’ memories. For example, Nadia embarks on a playful mission to find the grave of a cat that died in 1940 simply because the act helps an old man remember his family. Throughout the novel, the author provides a rich cross-section of the population: Nadia’s grandmother recollects how, during World War II, she “rode to Berlin on the gun mantlet of a T-34-85,” and her brother-in-law, a police officer, asks repetitive questions. Bland dialogue, however, sometimes drains momentum (“He asked about you and your friend. He said he saw you earlier” or “Your clothes are in the dryer”). As realistic as such exchanges may be, they can make scenes drag. But on the whole, Nadia’s journey is a memorable one. She comes of age in places as diverse as Estonia and Ukraine, which, while beset by Soviet malaise, abound with colorful characters.

An inviting, though dialogue-heavy, dive into the fragile world of a fading empire.

Pub Date: Sept. 6, 2022

ISBN: 9781738788651

Page Count: 356

Publisher: Nummist Media

Review Posted Online: Jan. 3, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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