A cunningly constructed yet flimsy novel of youthful confusion, obsession, and murder.
In a serpentine narrative that reads like a podcast, the friends, parents, and twin sister of a 19-year-old college student recall the events leading up to her disappearance as well as the criminal investigation and personal travails that followed.
Almost every character in this so-called “true crime story" set in Manchester, England, in 2011 has something to hide. That includes the author, who, using his real name, casts himself as one of the more dubious actors on a crowded stage that is in fact a hall of mirrors. The setup, however, is straightforward and all too familiar. At the tail end of a drunken Christmas party, a pretty and talented college student disappears and is never seen again. “She never got the chance to let her childhood and her pretensions fall away,” the vanished Zoe’s pretentious boyfriend, Andrew, later muses. “And you could argue that’s useful for the role that she’s been cast in by the likes of her father....A victim is apparently the best thing you can be in this day and age.” Andrew is one of a handful of central characters interviewed by Evelyn Mitchell, a journalist who becomes obsessed with the case (and who is murdered, perhaps as a consequence or perhaps not). It is Evelyn’s transcript of those interviews—interrupted by emails between Evelyn and the author—that reveals both the truth behind Zoe’s disappearance and the deceits and dangers that shadow these young lives. “It’s amazing what can seem normal when it’s all you know,” one character remarks of his unstable Irish mother. “I spent my first five years dressed as the girl she’s actually been expecting, which was confusing to say the least.” This is Fintan, of whom the reader will learn more and worse. Each voice is distinctive and convincing, and each story within the central tale captures the youth culture of the time in unglamorous Manchester. There is, however, more style than substance in a crime novel that, for all its cleverness, resorts to red herrings that would make Agatha Christie blush.
A cunningly constructed yet flimsy novel of youthful confusion, obsession, and murder.Pub Date: Dec. 7, 2021
ISBN: 978-1-72824-586-7
Page Count: 400
Publisher: Sourcebooks Landmark
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
BOOK REVIEW
BOOK REVIEW
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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