Winning satire for the jungle-gym set. (Picture book. 3-8)
Two children vie for playground domination.
Donning crowns and formal 18th-century dress, Jonah (pale-skinned with regal black curls) and Lennox (dark-skinned with powerful puffball chignons) plant flags, draw strategic maps, haughtily bark commands, and plot to overthrow each other. The kids in the kingdom acquiesce half-heartedly, occasionally rolling their eyes at the rulers while continuing to frolic. Following these children’s expressive postures, gestures, faces, and bright oval eyes and interpreting their individual reactions to the teeny tyrants is an increasingly enjoyable game. Each double-page spread stretches the elaborate playground panorama (ladders, platforms, slides, steps, tunnels, bridges) before readers’ eyes, properly showing the emotional expanse it occupies in a child’s world. Playgrounds thrum with egos, tears, fury, joy, alliances, betrayals, reconciliations, mutiny, plotting, sieges, companionship, revelry—and rulers. When the kids have had it with Jonah and Lennox’s battles and migrate to a patch of trees, the two deflated monarchs relinquish their thrones and happily unite to forge a peaceable playground. Children struggling with tyrants (or the impulse to dictate) will find both laughter and comfort in Kuefler’s playground, full of recognizable experiences, faces, and feelings.
Winning satire for the jungle-gym set. (Picture book. 3-8)Pub Date: April 18, 2017
ISBN: 978-0-06-242432-7
Page Count: 48
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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