by Joseph McBride ‧ RELEASE DATE: March 22, 2019
While it lingers over past wrongs, this work about writing Frank Capra’s biography remains entertainingly sincere.
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A memoir recounts the arduous process of producing a book on a celebrated film director.
McBride (Two Cheers for Hollywood, 2017, etc.) explains that creating an extensive, warts-and-all biography of an American icon was no simple task. In fact, it was a monumental time- and energy-consuming process that eventually produced a book in 1992. The story begins much earlier with the author’s efforts in Hollywood. He was a screenwriter with some successes (co-writing, for example, the film that became the Ramones vehicle Rock ’n’ Roll High School), a journalist, and author. His earnest interest in movies pushed him to “seek out and interview every venerable director I admired.” In 1975, he was able to interview Frank Capra while “on self-assignment” for Daily Variety. It would prove the first of many interviews that would lead to seeking out all there was to know about the man behind such classic films as It’s a Wonderful Life and Mr. Smith Goes to Washington. But not all of the discoveries would be pleasant ones. Capra, it turns out, made plenty of enemies in his time, particularly during the Red Scare of the 1950s when he had “thrown colleagues to the witch hunters to save his own skin.” McBride battled everyone from lawyers to a distrustful university archivist to uncover and publish the details of Capra’s epic journey. Readers are reminded that this was an uphill battle all the way and that the biography genre “challenges you on every level as a researcher and writer, critic and scholar.” Although the idea of the story behind a biography of a film director may not sound like riveting stuff, the tale is marked with deceit, a car crash, and a desire to know. What does it take to produce a less-than-glamorous portrait of a man who many consider a genius? The author deftly shows exactly what it took and the specifics are most telling. The book dives deeply into concerns like the fair use of material, including presenting information on a court case involving a biography of J.D. Salinger in 1987. Somewhat less thrilling are the many foes McBride seeks to expose. Did a university archivist really send a graduate student to spy on the author while he worked through Capra’s papers? Does it matter at this point? Still, McBride has some intriguing things to impart and he is not afraid to reveal them. He considers Michael Bay “the worst director in modern Hollywood.” And don’t get the author started on the idea of the film director as auteur. While he’s indisputably cranky in places, McBride’s overall honesty strongly comes across in these pages. Who knew something as seemingly innocuous as penning a biography would entail so much lasting conflict?
While it lingers over past wrongs, this work about writing Frank Capra’s biography remains entertainingly sincere.Pub Date: March 22, 2019
ISBN: 978-1-949950-47-2
Page Count: 601
Publisher: Vervante
Review Posted Online: June 27, 2019
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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