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EYES TO SEE

Not altogether convincing, but it probably has enough going for it to tempt the fans back for more.

Start of a new urban supernatural series, from the author of The Heretic (2010, etc.)

Once a Harvard classics professor, first-person narrator Jeremiah Hunt's life fell apart when his young daughter, Elizabeth, was abducted from their Boston home and, despite intense police activity, never found. Hunt, obsessed, takes up the search on his own, eventually turning to the supernatural. After an unpleasant ritual, he find that he's virtually blind—but, in exchange, he can see in total darkness . . . and the darkness is full of ghosts and other more malevolent entities. He can also identify others, "Gifted," who have supernatural abilities. So, while continuing to search for Elizabeth, he takes up the profession of ghostbuster. Miles Stanton, the homicide detective who worked Elizabeth's case and thinks Hunt is a psychic, calls him in for odd jobs. The latest of these is a baffling murder, the victim ritually posed, with no evident cause of death, the walls of the room scrawled with words and symbols in various arcane languages. A second murder occurs, almost identical to the first, and Hunt begins to discern a pattern. He realizes he will need help and turns to Irish pub owner Dmitri Alexandrov—his Gift isn't immediately obvious—and powerful witch Denise Clearwater. They identify dozens of connected killings going back years. Evidently a powerful and malicious being has a plan under way—but what, and how is Hunt involved? A well constructed backdrop, sturdy plot, and characters who develop along with the story, undermined by a certain want of originality, and almost fatally riven by passages of omniscient narrative that Nassise unaccountably fails to integrate into his protagonist's perception of events.

Not altogether convincing, but it probably has enough going for it to tempt the fans back for more.

Pub Date: Oct. 1, 2011

ISBN: 978-0-7653-2718-5

Page Count: 320

Publisher: Tor

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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ASSASSIN'S APPRENTICE

At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.

Pub Date: April 17, 1995

ISBN: 0-553-37445-1

Page Count: 368

Publisher: Spectra/Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1995

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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