Top-notch storytelling filled with emotion and drama.
A small band of heroes tries to thwart the Nazi stranglehold on Rome.
In 1944, “Satan went walking in Italy,” and German troops occupy the Eternal City. They leave the tiny Vatican alone in exchange for the pope’s strict neutrality, although at any moment they could crush its quarter of a square mile in the blink of an eye. Against His Holiness’s apparent wishes, a daring group in the Vatican harbors the Choir, a band of Escape Line activists who help Allied POWs and other fugitives evade enemy capture. Monsignor Hugh O’Flaherty, a real historical figure, leads the rescue efforts at great personal risk and despite apparent disapproval by Pope Pius. My Father’s House (2023) established the basic premise: Save as many people as possible from the villainous Obersturmbannführer Paul Hauptmann. In this exciting sequel, an Allied airman is shot down and wounded, parachuting to an uncertain fate. The Choir brings him in, but he desperately needs medical help to save his life. They can only find a French medical student who has never performed surgery before, and she risks her life to help. The characters are memorable: Monsignor O’Flaherty speaks seven languages, is “fluent in silences,” and often breaks his vow of obedience to papal authority. The widowed Contessa Giovanna Landini shows great courage in standing up to Hauptmann, even when he takes over her home. Meanwhile, Himmler sends Hauptmann a top-secret communiqué warning of the Führer’s “intense displeasure” that the Escape Line still exists. Hauptmann is ordered to complete the job of liquidating the “criminals” escaping into Rome and “smash the Escape Line. Or face the inevitable.” Himmler reminds him that his family is living in Berlin. The story is exciting and rich with prose that’s a joy to read: An American looks at the night sky and declares, “The angels ride Harleys.…The stars are their headlights coming.” This well researched novel can stand on its own, but readers may find even more enjoyment reading My Father’s House first.
Top-notch storytelling filled with emotion and drama.Pub Date: Feb. 4, 2025
ISBN: 9798889660620
Page Count: 400
Publisher: Europa Editions
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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