Top-notch storytelling filled with emotion and drama.
A small band of heroes tries to thwart the Nazi stranglehold on Rome.
In 1944, “Satan went walking in Italy,” and German troops occupy the Eternal City. They leave the tiny Vatican alone in exchange for the pope’s strict neutrality, although at any moment they could crush its quarter of a square mile in the blink of an eye. Against His Holiness’s apparent wishes, a daring group in the Vatican harbors the Choir, a band of Escape Line activists who help Allied POWs and other fugitives evade enemy capture. Monsignor Hugh O’Flaherty, a real historical figure, leads the rescue efforts at great personal risk and despite apparent disapproval by Pope Pius. My Father’s House (2023) established the basic premise: Save as many people as possible from the villainous Obersturmbannführer Paul Hauptmann. In this exciting sequel, an Allied airman is shot down and wounded, parachuting to an uncertain fate. The Choir brings him in, but he desperately needs medical help to save his life. They can only find a French medical student who has never performed surgery before, and she risks her life to help. The characters are memorable: Monsignor O’Flaherty speaks seven languages, is “fluent in silences,” and often breaks his vow of obedience to papal authority. The widowed Contessa Giovanna Landini shows great courage in standing up to Hauptmann, even when he takes over her home. Meanwhile, Himmler sends Hauptmann a top-secret communiqué warning of the Führer’s “intense displeasure” that the Escape Line still exists. Hauptmann is ordered to complete the job of liquidating the “criminals” escaping into Rome and “smash the Escape Line. Or face the inevitable.” Himmler reminds him that his family is living in Berlin. The story is exciting and rich with prose that’s a joy to read: An American looks at the night sky and declares, “The angels ride Harleys.…The stars are their headlights coming.” This well researched novel can stand on its own, but readers may find even more enjoyment reading My Father’s House first.
Top-notch storytelling filled with emotion and drama.Pub Date: Feb. 4, 2025
ISBN: 9798889660620
Page Count: 400
Publisher: Europa Editions
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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