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TEACH ME HOW TO DIE

A richly creative meditation on love, mortality, and the possibility of what lies beyond.

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Rauch’s fantastical novel tracks the afterlife of a widowed atheist.

Walter Klein is diagnosed with cancer and makes a principled decision to refuse treatment, essentially issuing himself an imminent death sentence. His wife, Susan, the love of his life, is dead, and with her went his attachment to this world. Walter continues on with his quotidian affairs—he plays in a jazz band, goes to work, and starts to spend time platonically with a woman, Leslie, whose appearance reminds him of Susan. When some repressed rage suddenly surfaces, he goes on a murderous rampage, killing Leslie and raping her, murdering two of his band mates and then his noisy neighbors. Walter wakes, discovering that he died in his sleep. Now he’s to be escorted in the afterlife by a guide named Vincent until the moment he is finally judged. Walter’s paroxysm of violence was part of a cleansing process, a kind of cathartic prelude to his judgment and did not occur in the physical world, but on some spiritual plane. Once evaluated, his judges will determine whether he is permitted to retain his “Right of Choice,” his prerogative to select either permanent nothingness or a sustained fantasy crafted specifically for him. Debut novelist Rauch slowly unfurls the moral cataclysm of Walter’s young life—a violent confrontation with his mother’s abusive boyfriend, an event that engendered an emotional rift between the two. Rauch imaginatively conjures an entire underworld, not only characterized by a different metaphysical reality, but a different set of moral and juridical rules. Rapists are raped as punishment for their past transgressions, and a pedophile who exercised restraint is given guilt-free orgies with children. Walter is the fulcrum of the plot though, a profoundly complex man—loving but also brimming with volatile anger, a simple person who lived a small, precious life but is also capable of real emotional and philosophical depth. The judicial aspect of the novel is fascinating and provocative—a man who kills 157 people is taken to task not for the murders themselves—none of them were innocents—but for the delight he took in the killing. The theological cosmology that emerges—instead of the historical monotheistic god, a being or beings, simply referred to as “The Truth,” preside over all—is both a little opaque and overwrought. Also, there isn’t much of a supporting cast for the protagonist. Walter’s spiritual guide, Vincent, is the only other character fleshed out enough to even approach authentic personhood. The prose, though, is sharp and lively, and Rauch has a talent for the seamless integration of serious philosophical themes and bantering humor. This is an ambitious modernization of Dante’s Inferno, an homage to a literary classic that boldly stakes out its own creative and intellectual territory. Furthermore, Rauch furnishes a thoughtful reflection on the meaning of a life well lived.

A richly creative meditation on love, mortality, and the possibility of what lies beyond.

Pub Date: June 21, 2017

ISBN: 978-0-692-86333-6

Page Count: 176

Publisher: Joseph Rauch Books and Stories

Review Posted Online: Jan. 2, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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