A cunning killer cuts a murderous swath through the LA art world.
A brief, brooding prologue, in which the narrator describes a murky murder and muses over the savagery of a Hollywood night, ignites a simmering undercurrent for LAPD Detective Tully Jarsdel’s third noir appearance as it rolls slowly into the centerpiece crime. The learned Tully, dubbed the “professor detective” by the LA Times, and Morales, his rough, righteous partner, commiserate over the unjustly light sentence for the killing of a young child before leaving the courtroom to return to Hollywood Station, where they’re soon sent back out to the scene of a brutal murder. Dean Burken, a curator at the Huntington Library and Museum, has been shot several times and, in a telling display of overkill, brutally beaten. The leisurely plot unfolds along traditional lines, with methodical interviews of the handful of “persons of interest” broken up by elaborate banter between the two detectives. The rogues’ gallery of suspects is as quirky and colorful as anything in Hammett or Chandler, and Schneider’s plot, while linear, is full of surprises. Tully’s poignant backstory follows his efforts as caretaker to Baba, his brilliant but declining old father. The murder of a prime suspect at first seems to complicate the case until a witness steps forward to name the killer, only to meet the same fate. Throughout, Morales’ brusque, slangy dialogue plays nicely against Tully’s stylish, erudite speech. Schneider’s choice of backdrop gives him carte blanche to pepper his tale with historic and artistic tidbits about both the collection and the institution itself.
Juicy prose redolent of classic noir, with contemporary twists.Pub Date: April 5, 2022
ISBN: 978-1-72824-504-1
Page Count: 336
Publisher: Poisoned Pen
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Categories: MYSTERY & DETECTIVE | SUSPENSE | POLICE PROCEDURALS | SUSPENSE | GENERAL MYSTERY & DETECTIVE | GENERAL THRILLER & SUSPENSE
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BOOK REVIEW
BOOK REVIEW
Emerson’s striking debut follows a Navajo police photographer almost literally to hell and back.
Rita Todacheene sees dead people. Since most of her attempts to talk to someone about her special power while she was growing up on the reservation ended in disaster, she’s tried to keep it to herself during her five years with the Albuquerque Police Department. Her precarious peace is shattered by the death of Erma Singleton, manager of a bar owned by Matias Romero, her common-law husband. Although lazy Detective Martin Garcia has ruled that Erma fell from a highway bridge, her body shattered by the truck that hit her on the roadway below, Erma insists that she was pushed from the bridge. “Help me get back to my baby,” she tells Rita, “or I’ll make your life a living hell.” Since Rita, a civilian employee, has few resources for an investigation, Erma opens a portal that unleashes scores of ghosts on her, all clamoring for justice or mercy or a few words with the loved ones they left behind. The nightmare that propels Rita forward, from snapping photos of Judge Harrison Winters and his wife and children and dog, all shot dead in what Garcia calls a murder-suicide, to revelations that link both these deaths and Erma’s to the drug business of the Sinaloa cartel, is interleaved with repeated flashbacks that show the misfit Rita’s early years on her Navajo reservation and in her Catholic grade school as she struggles to come to terms with a gift that feels more like a curse. The appeal of the case as a series kickoff is matched by the challenges Emerson will face in pulling off any sequels.
A whodunit upstaged at every point by the unforgettably febrile intensity of the heroine’s first-person narrative.Pub Date: Aug. 2, 2022
ISBN: 978-1-641-29333-4
Page Count: 312
Publisher: Soho Crime
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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