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SHOOT THE MOON

Think it would be fun to be sitting on top of something worth a cool $5 million? Not when the something is primo heroin. The heroin came with the pink Camry Michael Goodman rented in Fort Lauderdale—not the Camry designated for him, of course, but one that had been reserved for (ahem) somebody else. And he'd be perfectly willing to turn it in to the cops—he takes considerable trouble to do so—if only they wouldn't make it so hard, and he weren't running out of money (he's an unemployed bookkeeper), and his six-year-old daughter Kelly hadn't come down with a worrisome series of headaches that have sent her into the hospital for ever more dire tests. So when Goodman heads back to New York, it's with two duffel bags full of dynamite H and an enemies list that includes (1) the Florida hoods he inadvertently ripped off; (2) the NYPD; and (3) the DEA. Luckily, he's protected by Kelly, a stray cat, and Carmen Pacelli, a street- savvy prostitute who turns up on his doorstep. In other words, Goodman, as his name suggests, is armored with nothing but shining innocence. In particular, he's cast as a blissfully ignorant Road Runner to the canny authorities, whose armory of high-tech entrapment gear (phone taps, room bugs, a formidably equipped mobile unit) and eagerness to break every rule in the book to bust him keep getting torpedoed by their escalating incompetence, as if all that technology had been provided by the same Acme Co. that's been supplying Wile E. Coyote all these years. Readers who root for the good guys will enjoy the special challenge posed by Goodman, too nice to do time for dealing (so he can't be caught) but too principled to make a killing from selling heroin (so he can't get away). Anybody who can overlook the just-for-my-sick-girl plea will enjoy watching Klempner (Felony Murder, 1995) rescue his hero as charmingly as Donald E. Westlake.

Pub Date: Aug. 14, 1997

ISBN: 0-312-15424-0

Page Count: 336

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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REMEMBER WHEN

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...

Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.

Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.

Pub Date: Sept. 1, 2003

ISBN: 0-399-15106-0

Page Count: 448

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2003

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