Exquisite photographs and 97 essays, ranging from dubious to exemplary in quality and relevance, trace the 125-year history of professional baseball. Major League Baseball lends its logo to the fan's ultimate coffee-table book. By having unmatched access to various baseball archives, including those belonging to Major League Baseball, the National Baseball Hall of Fame, and the New York Public Library's Spalding Collection, Wallace has compiled a powerful visual account of the sport. Photographs of legendary players—including Christy Mathewson, Babe Ruth, Frank Robinson, and, in one especially riveting still, Yankees' catcher Thurman Munson bracing for a collision at the plate—beautifully, almost eerily, preserve these heroes at the height of their youthful powers. Other effects, including uniforms, endorsements, cartoons, and trading cards, forcefully yet subtly demonstrate baseball's far-reaching cultural impact. While Wallace (The American Museum of Natural History's Book of Dinosaurs and Other Ancient Creatures, p. 1116) intends to show the game from all angles, the text occasionally struggles to meet the estimable standards set by the illustrated sections. Laudable is Wallace's inclusion of reports from the Reach and Spalding baseball annuals of the late 19th and early 20th centuries. Other noteworthy items are a 1955 scouting report on Brooks Robinson, who later became one of the greatest infielders ever, and Brooklyn Dodgers general manager Branch Rickey's explanation of his choice of Jackie Robinson as major league baseball's first black player in over 60 years. But the impact of such documentation is somewhat mitigated by the inclusion of ghostwritten autobiographies and ``flack'' pieces of questionable objectivity, and by Wallace's own introductory passages, which, with their boosterish tone, gloss over some of the game's less obvious undercurrents. But above all, baseball is a fan's game, and this book, compiled lovingly by a fan, deserves notice as a beautiful and enjoyable baseball time capsule.
Pub Date: Oct. 1, 1994
ISBN: 0-8109-3135-4
Page Count: 304
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
BOOK REVIEW
BOOK REVIEW
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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