After a so-so show in Fugitive Nights (1991), Wambaugh returns nearly in top form with a very funny suspenser about toxic waste. Finbar Finnegan, a San Diego police detective and sometime actor, has a midlife crisis at 45, his existence having been dominated by three sisters while growing up and by three ex-wives as an adult. His theme song is "Someone to Watch Over Me"—he needs a mommy/wife, has sworn off marriage, but finds himself tied ticklingly to two female detectives at once, both of whom see him as romantically interesting despite immense shortcomings: happy, cheerful, pistol-packing Petty Officer "Ba-a-d Dog" Bobbie Ann Doggett, 28, an investigator for the Navy who's looking for 2,000 boots hijacked from a warehouse; and District Attorney's Investigator Nell Salter, 43, once divorced, and looking for a stolen truck filled with supertoxic waste. The truck actually was "stolen" by its tow drivers—porky meth-head Shelby Pate and his Mexican sidekick, Abel Durazo, who lifted the boots while picking up drums of toxic waste at a naval station, took them to a fence in Tijuana, then pretended their truck was stolen while they ate lunch. The truck, however, gets sold to a Mexican pottery maker, who repaints uses it to deliver pots to San Diego. During all this, the waste drums still on the truck spill horrible Guthion over two kids, killing one of them. In their investigation, the three San Diego law folk wind up in weirdest Tijuana for some surreal surveillance duty—and have a punchy pair of drunk scenes that show Wambaugh at his cleverest in the sexy, gin-soaked Nick & Nora Department. Smart, crunchy dialogue—too topical, yes, but for now quite witty enough.
Pub Date: Oct. 18, 1993
ISBN: 0553763245
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1993
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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
223
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: GENERAL ROMANCE | ROMANCE | CONTEMPORARY ROMANCE
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SEEN & HEARD
SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Categories: ROMANCE | CONTEMPORARY ROMANCE | FAMILY LIFE & FRIENDSHIP
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