More of that gritty schmaltz about another new centurion — #4207, the honest if homely old kisser of Bumper Morgan, the "finest cop money can buy" (not really cash — a few cigars here, a little yogurt there). If you were to visualize this heart of gold under the badge of bronze proudly worn by the big, shambling man who's been on the L.A.P.D. force for twenty years, he might look a little like Victor McLaglen once did — or Jack Carson. He runs to fat and sweat. Bumper had been in the army for years and he's still a soldier — but on his own. He'll shut a mailbox lid hard on the hand of the snitch whose arm he's going to twist to get information; he'll show his softer side toward a youngster with a handful of bennies. And during this last week before he plans to retire and marry Cassie who calls him her Blue Knight, he's seen here and there — making a fool of himself with some young activists, testifying in court, saying goodbye to his old friend Cruz, etc. etc. until. . . . This once again has both the virtues and the weaknesses of the earlier book — the explicatory didacticism, the true true-blue dedication, the commanding detail and vernacular — and who's to guess whether it will have an equivalent readership over the same gun barrel.
Pub Date: Feb. 28, 1972
ISBN: 0316921467
Page Count: 220
Publisher: Little, Brown
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: Feb. 1, 1971
A highly charged, deeply eroticized historical and contemporary fiction from the American-born English author of two short-story collections and the novels Trust (1988) and Rose Reason (1992). Flanagan writes about women who are impelled by the urgent, often violent emotions they conceal beneath dutiful exteriors, and who are usually disappointed by the men to whom they confide their secrets. There's an identifiable, implicit homage to Henry James in her penetrating analyses of the ways in which women think, feel, and behave differently from men. This novel begins as Celia Pippet (``a snotty middle class sourpuss''), having stolen a scandalous objet d'art from the British Museum, travels to France to learn the truth about eponymous title character Adäle Louisante—a mysterious Parisian beauty whose involvement in a scandalous love affair, 50 years earlier, had led to her even more mysterious death. Accompanied by friends who both share and mistrust her zeal, Celia investigates L'affaire Adäle, striking gold when she meets Adäle's onetime nurse Blanche Jessel (could a character's name be more Jamesian?), whose reluctant memories include her characterization of Paris between the World Wars as ``a sexual theme park.'' Flanagan's tendencies toward garish imagery and runaway melodrama are actually quite successfully concentrated in the thrillingly evoked figure of Jonas Sylvester, a proto-Nazi gynecologist who had imagined the lustrously beautiful Adäle the prototype for a scientifically created perfect race—and whose workmanlike passion for his headstrong Trilby becomes both the making and the breaking of her. Adäle is, alas, far too passive to be fully credible, and Flanagan never gets convincingly inside her mind and feelings (or, indeed, those of any of the novel's characters). Oddly enough, it scarcely matters, for almost everything else works in this expertly fashioned romantic tale. Henry James might have disapproved, but one suspects he would have devoured every page of Adäle with agreeably guilty pleasure.
Pub Date: Oct. 1, 1997
ISBN: 0-393-04547-1
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
BOOK REVIEW
BOOK REVIEW
Temptations spiritual and mundane face the residents of a healing center as Howatch (Absolute Truths, 1995, etc.) visits the more controversial side of ecclesiastical life—the ministry of healing and exorcism—in a novel that splendidly mixes riveting story-telling with a moral quest. The protagonist is Nick Darrow, whose bumpy journey to the priesthood was chronicled in Mystical Paths (1992). Now in his 40s, Nick is the head of a popular London healing ministry, St. Benet's. There, with the help of another familiar Howatch character, Lewis Hall, he conducts healing services and counsels those in spiritual distress. Nick seems to have achieved an enviable balance between the spiritual and the corporeal life: The ministry is thriving, his work absorbs him during the week, and on the weekends he joins his beautiful and talented wife Rosalind at their Surrey farm. But evil lurks everywhere, and Nick's empowering sense of control is soon shattered. His troubles begin shortly after he asks Alice, a lonely overeater, to be St. Benet's resident cook. A ``woman of integrity'' in love with Nick since she first attended a service of his, Alice hides her feelings until the right moment. Though warned by mentor Lewis to remain humble in the presence of his gifts, and to be careful how he uses them, Nick, upset by Rosalind's unexpected request for a divorce, hypnotizes and rapes her. After he comes to understand what he has done, he collapses in grief and shame. But more challenges are ahead as a possessed volunteer in love with him threatens murder, and a young priest, whom Rosalind tried to seduce, commits suicide. Healing as well as love and redemption are at hand as a wiser Nick confesses to Alice that perhaps while ``wonder workers never fail . . . a priest acquires strength through weakness.'' Howatch again splendidly entertains and provokes as she describes a soul's harrowing journey through the dark places on the road to salvation.
Pub Date: Nov. 14, 1997
ISBN: 0-375-40102-4
Page Count: 544
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
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